Sam Atkis

“So I go. I travel farther and faster and harder than most, and I read, and I write, and I love cities. To be alone in a crowd, apart and belonging, to have distance between what I see and what I am.”
― Amal El-Mohtar, This Is How You Lose the Time War

“I want to meet you in every place I have loved.”
― Amal El-Mohtar, This Is How You Lose the Time War

“Nepantla, Rosamaria says, as she turns, without self-consciousness, to face him. That’s the word for being in a place between two places. She touches her wide, flat nose. I am a crossroads inhabited by whirlwinds. That’s what Anzaldûa wrote, about being inside and outside at the same time. A place you come to, but which is always moving. A nepantlera is someone who moves between selves. Am I the good Mexican girl who goes to Mass and prays to la virgencita? Am I the good assimilated girl who doesn’t have an accent? Am I the sad messed-up girl whose mom left so now she has sex under a porch? Am I a poor girl who cares about poor Mexicans? Am I a feminist who cares about women? Who gets my solidarity? I want the answer to be “everyone.” But people don’t like it when you’re too many things at once.”
― Seth Dickinson, Exordia

“I have built a you within me, or you have. I wonder what of me there is in you.”
― Amal El-Mohtar, This Is How You Lose the Time War