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Jade Legacy
linds is currently reading
by Fonda Lee (Goodreads Author)
bookshelves: currently-reading
Reading for the 2nd time
read in June 2023
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Book cover for The Death of Vivek Oji
Life was like being dragged through concrete in circles, wet and setting concrete that dried with each rotation of my unwilling body. As a child, I was light. It didn’t matter too much; I slid through it, and maybe it even felt like a game, ...more
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Karin Slaughter
“That’s a good analogy,” Sara told him. “Their parents set up this pattern where they abuse them, then buy them ice cream. Or they guilt them into doing what they want, or trick them. Kids don’t know that it’s not supposed to be that way.” Sara sighed. “And the fact is, the kids love their parents. They want to please them. They don’t want to get their parents in trouble. They want the behavior to stop, but they don’t want to lose their mother and father.” She paused. “There’s a real dependency there. The parents cause the pain, but they’re also the ones who take it away.”
Karin Slaughter, Kisscut

Patrick Rothfuss
“So yes. It had flaws, but what does that matter when it comes to matters of the heart? We love what we love. Reason does not enter into it. In many ways, unwise love is the truest love. Anyone can love a thing because. That’s as easy as putting a penny in your pocket. But to love something despite. To know the flaws and love them too. That is rare and pure and perfect.”
Patrick Rothfuss, The Wise Man's Fear

Martha Wells
“Possibly I was overthinking this. I do that; it’s the anxiety that comes with being a part-organic murderbot. The upside was paranoid attention to detail. The downside was also paranoid attention to detail.”
Martha Wells, Exit Strategy

Victoria Schwab
“Love and loss,” he said, “are like a ship and the sea. They rise together. The more we love, the more we have to lose. But the only way to avoid loss is to avoid love. And what a sad world that would be.”
V.E. Schwab, A Conjuring of Light

Akwaeke Emezi
“Life was like being dragged through concrete in circles, wet and setting concrete that dried with each rotation of my unwilling body. As a child, I was light. It didn’t matter too much; I slid through it, and maybe it even felt like a game, like I was just playing in mud, like nothing about that slipperiness would ever change, not really. But then I got bigger and it started drying on me and eventually I turned into an uneven block, chipping and sparking on the hard ground, tearing off into painful chunks. I wanted to stay empty, like the eagle in the proverb, left to perch, my bones filled with air pockets, but heaviness found me and I couldn’t do anything about it. I couldn’t shake it off; I couldn’t transform it, evaporate or melt it. It was distinct from me, but it hooked itself into my body like a parasite. I couldn’t figure out if something was wrong with me or if this was just my life—if this was just how people felt, like concrete was dragging their flesh off their bones.”
Akwaeke Emezi, The Death of Vivek Oji

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