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John of John
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by Douglas Stuart (Goodreads Author)
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1984
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Katrin Schumann
“She looks down at her bleeding cuticles, the dry, ragged skin of her fingertips, and she says what she believes to be true: nothing escaped her. It turns out that no one believes her anyway, and that lack of belief in her festers, infects her through and through—because, in her heart, she wants to be an honest person, and she thought she was. But she is not fully honest with anyone, not even with herself. It turns out she cannot give voice to uncertainty; this is not allowed. She does not need to be told this to know it is true. So she becomes quiet; she continues her journey inward, a journey she will be on for years, alone, unable to share with anyone, not her family, not her friends, not her lover.”
― Katrin Schumann, The Forgotten Hours

Joe  Hill
“There’s something horribly unfair about dying in the middle of a good story, before you have a chance to see how it all comes out. Of course, I suppose everyone always dies in the middle of a good story, in a sense. Your own story. Or the story of your children. Or your grandchildren. Death is a raw deal for narrative junkies.”
― Joe Hill, The Fireman

Madeline Miller
“Chiron had said once that nations were the most foolish of mortal inventions. "No man is worth more than another, wherever he is from.”
― Madeline Miller, The Song of Achilles

Eliza Maxwell
“The stray thought occurred to him that if it weren’t for women, in all their cloaks of unfathomed mysteries, men would lead very boring lives.”
― Eliza Maxwell, The Unremembered Girl

Rachel Kadish
“The greatest act of love—indeed, the only religion she could comprehend—was to speak the truth about the world. Love must be, then, an act of truth-telling, a baring of mind and spirit just as ardent as the baring of the body. Truth and passion were one, and each impossible without the other.”
― Rachel Kadish, The Weight of Ink

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