“But we [writers] are crucial. That is what I hope you have learned. We listen for and collect and share stories. Without stories there is no nation and no religion and no culture. Without stories of bone and substance and comedy there is only a river of lies, and sweet and delicious ones they are, too. We are the gatherers, the shepherds, the farmers of stories. We wander widely and look for them and gather them and harvest them and share them as food. It is a craft as necessary and nutritious as any other, and if you are going to be good at it you must double your humility and triple your curiosity and quadruple your ability to listen.”
―
―
“Poor breathing is to low energy as bad air filter is to low car performance.”
― The Power of Breathing
― The Power of Breathing
“But simple as the Sign of the Cross is, it carries a brave weight: it names the Trinity, celebrates the Creator, and brings home all the power of faith to the brush of fingers on skin and bone and belly. So do we, sometimes well and sometimes ill, labor to bring home our belief in God's love to the stuff of our daily lives, the skin and bone of this world — and the Sign of the Cross helps us to remember that we have a Companion on the road.”
― Credo: Essays on Grace, Altar Boys, Bees, Kneeling, Saints, the Mass, Priests, Strong Women, Epiphanies, a Wake, and the Haun
― Credo: Essays on Grace, Altar Boys, Bees, Kneeling, Saints, the Mass, Priests, Strong Women, Epiphanies, a Wake, and the Haun
“Nuit Blanche"
A music coaxed from humming strings would please;
Not plucked, but drawn in creeping cadences
Across a sunset wall where some Marquise
Picks a pale rose amid strange silences.
Ghostly and vaporous her gown sweeps by
The twilight dusking wall, I hear her feet
Delaying on the gravel, and a sigh,
Briefly permitted, touches the air like sleet
And it is dark, I hear her feet no more.
A red moon leers beyond the lily-tank.
A drunken moon ogling a sycamore,
Running long fingers down its shining flank.
A lurching moon, as nimble as a clown,
Cuddling the flowers and trees which burn like glass.
Red, kissing lips, I feel you on my gown—
Kiss me, red lips, and then pass—pass.
Music, you are pitiless to-night.
And I so old, so cold, so languorously white.”
― The Complete Poetical Works of Amy Lowell
A music coaxed from humming strings would please;
Not plucked, but drawn in creeping cadences
Across a sunset wall where some Marquise
Picks a pale rose amid strange silences.
Ghostly and vaporous her gown sweeps by
The twilight dusking wall, I hear her feet
Delaying on the gravel, and a sigh,
Briefly permitted, touches the air like sleet
And it is dark, I hear her feet no more.
A red moon leers beyond the lily-tank.
A drunken moon ogling a sycamore,
Running long fingers down its shining flank.
A lurching moon, as nimble as a clown,
Cuddling the flowers and trees which burn like glass.
Red, kissing lips, I feel you on my gown—
Kiss me, red lips, and then pass—pass.
Music, you are pitiless to-night.
And I so old, so cold, so languorously white.”
― The Complete Poetical Works of Amy Lowell
“We are the memories we don't remember, which live in us, which we feel, which make us sing and dance and pray the way we do, feelings from memories that flare and bloom unexpectedly in our lives like blood through a blanket from a wound made by a bullet fired by a man shooting us in the back for our hair, for our heads, for a bounty, or just to get rid of us.”
― There There
― There There
Candace’s 2025 Year in Books
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