“And, in this staunch little portrait, it’s hard not to see the human in the finch. Dignified, vulnerable. One prisoner looking at another. But who knows what Fabritius intended? There’s not enough of his work left to even make a guess. The bird looks out at us. It’s not idealized or humanized. It’s very much a bird. Watchful, resigned. There’s no moral or story. There’s no resolution. There’s only a double abyss: between painter and imprisoned bird; between the record he left of the bird and our experience of it, centuries later.”
― The Goldfinch
― The Goldfinch
“And yes—scholars might care about the innovative brushwork and use of light, the historical influence and the unique significance in Dutch art. But not me. As my mother said all those years ago, my mother who loved the painting only from seeing it in a book she borrowed from the Comanche County Library as a child: the significance doesn’t matter. The historical significance deadens it. Across those unbridgeable distances—between bird and painter, painting and viewer—I hear only too well what’s being said to me, a psst from an alleyway as Hobie put it, across four hundred years of time, and it’s really very personal and specific. It’s there in the light-rinsed atmosphere, the brush strokes he permits us to see, up close, for exactly what they are—hand worked flashes of pigment, the very passage of the bristles visible—and then, at a distance, the miracle, or the joke as Horst called it, although really it’s both, the slide of transubstantiation where paint is paint and yet also feather and bone. It’s the place where reality strikes the ideal, where a joke becomes serious and anything serious is a joke. The magic point where every idea and its opposite are equally true.”
― The Goldfinch
― The Goldfinch
“Transitions are bumpy, even the happy ones. We all go through them at some point. It takes time to adjust. Often, we feel like we should be much farther ahead than we are—unless we remember that “bare kernels” are always sown in weakness. It’s not bad to have your identity change. God promises that if we trust Him, He will replant us to reap eternal rewards.”
― The Measure of Success: Uncovering the Biblical Perspective on Women, Work, and the Home
― The Measure of Success: Uncovering the Biblical Perspective on Women, Work, and the Home
“Youth hasn’t got anything to do with chronological age. It’s times of hope and happiness.”
― Crossing to Safety
― Crossing to Safety
“Keep it simple' wasn't always the right response. Many things that boosted my happiness also added complexity to my life. Having children. Learning to post videos to my website. Going to an out-of-town wedding. Applied too broadly, my impulse to 'Keep it simple' would impoverish me. 'Life is barren enough surely with all her trappings,' warned Samuel Johnson, 'let us therefore by cautious how we strip her.”
― Happier at Home: Kiss More, Jump More, Abandon Self-Control, and My Other Experiments in Everyday Life
― Happier at Home: Kiss More, Jump More, Abandon Self-Control, and My Other Experiments in Everyday Life
Books on the Nightstand
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Andrea’s 2025 Year in Books
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