Annabel

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Virgile, Non
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bookshelves: currently-reading, 2009
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La prose du monde
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bookshelves: currently-reading, 2009
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  (page 53 of 238)
Aug 04, 2009 02:58PM

 
Bad Objects: Essa...
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Hal Foster
“For Seabrook this 'nobrow' state - where the old brow distinctions no longer seem to apply - is not only a dumbing down of intellectual culture; it is also a wising up to commercial culture, which is no longer seen as an object of disdain but as 'a source of status.' At the same time this child of the elite is ambivalent about the collapse of brow distinctions, caught as he is between the old world of middlebrow taste, as vetted by The New Yorker of yore, and the new world of nobrow taste, where culture and marketing are one. ”
Hal Foster

Muriel Barbery
“Aïe, aïe, aïe, je me suis dit, est-ce que ça veut dire que c'est comme ça qu'il faut mener sa vie ? Toujours en équilibre entre la beauté et la mort, le mouvement et sa disparition ?
C'est peut-être ça, être vivant : traquer des instants qui meurent.”
Muriel Barbery

Muriel Barbery
“... c'est peut-être ça la vie : beaucoup de désespoir mais aussi quelques moments de beauté où le temps n'est plus le même. C'est comme si les notes de musique faisaient un genre de parenthèses dans le temps, de supension, un ailleurs ici même, un toujours dans le jamais.

Oui, c'est ça, un toujours dans le jamais.”
Muriel Barbery, L'Élégance du hérisson

André Gide
“Mes sens s'étaient usés jusqu'à la transparence, et quand je descendis au matin vers la ville, l'azur du ciel entra en moi.”
André Gide

Jean Baudrillard
“The whole gestural system of work was also obscene, in sharp contrast to the miniaturized and abstract gestural system of control to which it has now been reduced. The world of the objects of old seems like a theatre of cruelty and instinctual drives in comparison with the formal neutrality and prophylactic 'whiteness' of our perfect functional objects. Thus the handle of the flatiron gradually diminishes as it undergoes 'contouring' - the term is typical in its superficiality and abstractness; increasingly it suggests the very absence of gesture, and carried to its logical extreme this handle will no longer be manual - merely manipulable. At that point, the perfecting of the form will have relegated man to a pure contemplation of his power. ”
Jean Baudrillard, The System of Objects

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