OversensitiveBallofAnxiousMess

“I was going to say the
words that could have
made a difference but
then I saw you
You were least interested
to know
You didn’t even bother to
see the truth in my eyes
I had to leave darling I
had to
I had no intention to end
things like this
But this was written
It was in our fate
They say, “When you end
up remember there’s a
new beginning waiting
for you somewhere”
I’ll look for that new
beginning
To search for a new
commencing
With a promise that this
time
I won’t look backward.”
― Hareem Ch, Another World

“What is the value of sensitives? Look around: we live in a ugly and stupid world which could have been prevented if sensitives had been present, and had the power to influence things.

That block-shaped, pressed concrete, ugly shopping mall? The princess would opine that no one could have any peace of mind with such hideous backgrounds, and demand something like a traditional building, with ornate spires and comfortable human spaces instead.

Grating, two-note music ranting about copulation and projected sexual desire? No princess would want this crass gibberish around her, nor would she recognize music which neglected the finer parts of composition, melody, harmony, rhythm, and narrative. She would hire Schubert instead.

Schools that treat students like livestock, jobs that are jails, marriages that are suicide pacts, and boring tract housing? Similarly, a princess would have no use for those, and perceive that these would be abusive to her so must be to others as well.

As children, we made fun of the sensitivity of the princess. A pea, under twenty mattresses, really? The point — in the visual-metaphorical language of fable, religion, literature, and conspiracy theory — tells us that sensitivity is in fact needed, and it needs power to save the rest of us from what we do not yet perceive.

In this story, the princess is simply a finer instrument. After twenty years, we might notice that we woke up tired in the mornings, and eventually investigate and find the pea, but she knew right away, intuitively and by the nature of her character. This is part of what makes an aristocrat.”
― Brett Stevens

“Paradise: If communism is Paradise, why do we need barriers, walls, and laws to keep people from escaping?”
― Ruta Sepetys, I Must Betray You

“This is how the past interrupts our lives, all of it entering the same doorway--like the hole in the trunk of my neighbor's tree: at once a natural shelter, haven for small creatures, but also evidence of injury, an entrance for decay.”
― Natasha Trethewey, Monument: Poems New and Selected