Mary Bifulco

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Pure Innocent Fun...
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by Ira Madison III (Goodreads Author)
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Timothy Snyder
“History permits us to be responsible: not for everything, but for something... History gives us the company of those who have done and suffered more than we have.”
Timothy Snyder, On Tyranny: Twenty Lessons from the Twentieth Century

Ocean Vuong
“I was once foolish enough to believe knowledge would clarify, but some things so gauzed behind layers of syntax and semantics, behind days and hours, names forgotten, salvaged and shed, that simply knowing the wound exists does nothing to reveal it.”
Ocean Vuong, On Earth We're Briefly Gorgeous

Bill Hayes
“I suppose it’s a cliché to say you’re glad to be alive, that life is short, but to say you’re glad to be not dead requires a specific intimacy with loss that comes only with age or deep experience. One has to know not simply what dying is like, but to know death itself, in all its absoluteness. After all, there are many ways to die—peacefully, violently, suddenly, slowly, happily, unhappily, too soon. But to be dead—one either is or isn’t. The same cannot be said of aliveness, of which there are countless degrees. One can be alive but half-asleep or half-noticing as the years fly, no matter how fully oxygenated the blood and brain or how steadily the heart beats. Fortunately, this is a reversible condition. One can learn to be alert to the extraordinary and press pause—to memorize moments of the everyday.”
Bill Hayes, Insomniac City: New York, Oliver, and Me

Carmen Maria Machado
“In this way, the Dream House was a haunted house. You were the sudden, inadvertent occupant of a place where bad things had happened. And then it occurs to you one day, standing in the living room, that you are this house's ghost: you are the one wandering from room to room with no purpose, gaping at the moving boxes that are never unpacked, never certain what you're supposed to do. After all, you don't need to die to leave a mark of psychic pain. If anyone is living in the Dream House now, he or she might be seeing the echo of you.”
Carmen Maria Machado, In the Dream House

Leslie Jamison
“Representing people always involves reducing them, and calling a project "done" involves making an uneasy truce with that reduction. But some part of me rails against that compression. Some part of me wants to keep saying: there's more, there's more, there's more.”
Leslie Jamison, Make It Scream, Make It Burn

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