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You Like It Darker
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Book cover for Open
Then he gives a speech. Gil, who learned English from newspapers and baseball games, delivers a flowing, lilting, poetic monologue, right outside Joe’s, and one of the great regrets of my life is that I don’t have a tape recorder with me. ...more
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Don Coscarelli
“The movie played to a completely packed house and it was a smash. I was waiting with Bruce and Joe Lansdale up near the screen as the end credits rolled, ready for the filmmaker Q&A afterward, and something incredible happened that cemented it for me. Since the film ended on such a melancholy and downbeat note as Elvis closes his eyes at the finale, to raise the audience’s spirits and give them some hope, I inserted a line in the end credits that read, “Elvis returns in … BUBBA NOSFERATU—Curse of the She-Vampires.” As a kid I always got a thrill watching the James Bond movie end credits where they would announce the next 007 that way, so I figured why not try that with Elvis. As this announcement rolled on-screen, suddenly a guttural roar erupted from the crowd and they burst into riotous applause. Three hundred people wanted a sequel, like, immediately.”
Don Coscarelli, True Indie: Life and Death in Filmmaking

Michio Kaku
“we will look ahead to a time when we will be able to move beyond the solar system and explore the nearby stars. Again, this mission surpasses our current technology, but fifth wave technologies will make it possible: nanoships, laser sails, ramjet fusion machines, antimatter engines.”
Michio Kaku, The Future of Humanity: Terraforming Mars, Interstellar Travel, Immortality, and Our Destiny BeyondEarth

Blake J. Harris
“As he tinkered away inside his trailer—pumping himself up with power metal music—he was reminded of something that visionary game programmer John Carmack had once said about virtual reality: “It’s a moral imperative,” Carmack had described, touting the ways in which VR could empower anyone—of any socioeconomic standing—to experience anything.”
Blake J. Harris, The History of the Future: Oculus, Facebook, and the Revolution That Swept Virtual Reality

Don Coscarelli
“Our film had also received rave reviews and many “pull quotes” that could be used for marketing. Nick Digilio of WGN Radio, who also happened to be a longtime Phantasm fan, gave us a sensational quote in which he called Bubba Ho-tep “an important piece of American cinema.” And in David Hunter’s review of our film in the Hollywood Reporter, he celebrated our star’s work by writing, “Bruce Campbell in a performance for the ages.” It all looked quite promising, and then Shultz mentioned just one more item—we would need some money to launch this endeavor. The roughed-up budget for this independent Bubba Ho-tep theatrical release came in at about a hundred and thirty thousand dollars. Yikes! But Dave Shultz firmly believed that if luck was with us, we could easily gross multiples of that number and actually turn a profit. For me it was an extremely tough decision. I had made a huge investment from my savings to pay for the production costs of Bubba Ho-tep. My dad in loyal fashion had also kicked in a chunk of change. With his background in financial planning he had always taught me that the best investments are when you invest in yourself and the principles you believe in.”
Don Coscarelli, True Indie: Life and Death in Filmmaking

Michio Kaku
“By the early twenty-second century, the technology for self-replicating robots should be perfected, and we may be able to entrust machines with the task of constructing solar arrays and laser batteries on the moon, Mars, and beyond. We would ship over an initial team of automatons, some of which would mine the regolith and others of which would build a factory. Another set of robots would oversee the sorting, milling, and smelting of raw materials in the factory to separate and obtain various metals. These purified metals could then be used to assemble laser launch stations—and a new batch of self-replicating robots. We might eventually have a bustling network of relay stations throughout the solar system, perhaps stretching from the moon all the way to the Oort Cloud. Because the comets in the Oort Cloud extend roughly halfway to Alpha Centauri and are largely stationary, they may be ideal locations for laser banks that could provide an extra boost to nanoships on their journey to our neighboring star system. As each nanoship passed by one of these relay stations, its lasers would fire automatically and give the ship an added push to the stars. Self-replicating robots could build these distant outposts by using fusion instead of sunlight as the basic source of energy.”
Michio Kaku, The Future of Humanity: Terraforming Mars, Interstellar Travel, Immortality, and Our Destiny BeyondEarth

77491 The Casual Vacancy Book Club — 934 members — last activity Mar 11, 2015 03:53PM
Are you eagerly anticipating the new J.K. Rowling book The Casual Vacancy? If so, this is the group for you! We'll be hosting a week-long read-along, ...more
25x33 Ready Player One — 72 members — last activity Feb 09, 2018 08:39AM
Group to discuss Ernest Cline's first book and other dystopian books that we enjoy. ...more
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