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Minecraft For Dum...
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by Jesse Stay (Goodreads Author)
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The Universal Chr...
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  (page 54 of 260)
"The idea of Neanderthal and other early humans in regards to salvation has always puzzled and honestly worried me. I'm so glad to see it touched on here." Feb 05, 2026 06:51AM

 
Book cover for Abaddon's Gate (Expanse, #3)
Tilly picked up a packet of the oat mush, wrinkled her lip at it, and flicked it away with her fingers. It sat spinning next to her head like a miniature helicopter. “Annie,” Tilly said. “If I wanted to suck vile fluids out of a flaccid and ...more
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Winston S. Churchill
“Tact is the ability to tell someone to go to hell in such a way that they look forward to the trip.”
Winston Churchill

“Those who seek to ban books are never on the right side of history. Never.”
Jon Rosenthal

Ellen Ullman
“Debugging: what an odd word. As if "bugging" were the job of putting in bugs, and debugging the task of removing them. But no. The job of putting in bugs is called programming. A programmer writes some code and inevitably makes the mistakes that result in the malfunctions called bugs. Then, for some period of time, normally longer than the time it takes to design and write the code in the first place, the programmer tries to remove the mistakes.”
Ellen Ullman, The Bug

Andy Weir
“Yes, of course duct tape works in a near-vacuum. Duct tape works anywhere. Duct tape is magic and should be worshiped.”
Andy Weir, The Martian

Ellen Ullman
“The machine seemed to understand time and space, but it didn’t, not as we do. We are analog, fluid, swimming in a flowing sea of events, where one moment contains the next, is the next, since the notion of “moment” itself is the illusion. The machine—it—is digital, and digital is the decision to forget the idea of the infinitely moving wave, and just take snapshots, convincing yourself that if you take enough pictures, it won’t matter that you’ve left out the flowing, continuous aspect of things. You take the mimic for the thing mimicked and say, Good enough. But now I knew that between one pixel and the next—no matter how densely together you packed them—the world still existed, down to the finest grain of the stuff of the universe. And no matter how frequently that mouse located itself, sample after sample, snapshot after snapshot—here, now here, now here—something was always happening between the here’s. The mouse was still moving—was somewhere, but where? It couldn’t say. Time, invisible, was slipping through its digital now’s.”
Ellen Ullman, The Bug

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