Peggy

“Squatting upon the floor of the room, without any perceptible effort he passed into the hollow of his hand the contents of the rectum . . . ,” wrote the anonymous writer’s physician in a letter printed in one of Fletcher’s books. “The excreta were in the form of nearly round balls,” and left no stain on the hand. “There was no more odour to it than there is to a hot biscuit.” So impressive, so clean, was the man’s residue that his physician was inspired to set it aside as a model to aspire to. Fletcher adds in a footnote that “similar [dried] specimens have been kept for five years without change,” hopefully at a safe distance from the biscuits.”
― Mary Roach, Gulp: Adventures on the Alimentary Canal

“The paper detritus that she had somewhere read, or had heard it said, trails armies, or was it (she had seen a photograph) the scraps of letters and wrappers and snapshots that blow across battlefields after all but the dead have fled?”
― Alice McDermott, After This

“bent under the April sun and into the bitter April wind, jackets flapping and eyes squinting, or else skirts pressed to the backs of legs and jacket hems pressed to bottoms. And trailing them, outrunning them, skittering along the gutter and the sidewalk and the low gray steps of the church, banging into ankles and knees and one another, scraps of paper, newspapers, candy wrappers, what else?—office memos? shopping”
― Alice McDermott, After This

“she felt the wind rise, felt the pinprick of pebble and grit against her stockings and her cheeks—the slivered shards of mad sunlight in her eyes. She paused, still on the granite steps, touched the brim of her hat and the flying hem of her skirt—felt the wind rush up her cuffs and rattle her sleeves.”
― Alice McDermott, After This