Marina

“We take so much of the universe on trust. You tell me: “In 1950 I lived on the north side of Beacon Street in Somerville.” You tell me: “She and I were lovers, but for months now we have only been good friends.” You tell me: “It is seventy degrees outside and the sun is shining.” Because I love you, because there is not even a question of lying between us, I take these accounts of the universe on trust: your address twenty-five years ago, your relationship with someone I know only by sight, this morning’s weather. I fling unconscious tendrils of belief, like slender green threads, across statements such as these, statements made so unequivocally, which have no tone or shadow of tentativeness. I build them into the mosaic of my world. I allow my universe to change in minute, significant ways, on the basis of things you have said to me, of my trust in you.

I also have faith that you are telling me things it is important I should know; that you do not conceal facts from me in an effort to spare me, or yourself, pain.

Or, at the very least, that you will say, “There are things I am not telling you.”

When we discover that someone we trusted can be trusted no longer, it forces us to reexamine the universe, to question the whole instinct and concept of trust. For a while, we are thrust back onto some bleak, jutting ledge, in a dark pierced by sheets of fire, swept by sheets of rain, in a world before kinship, or naming, or tenderness exist; we are brought close to formlessness.”
― Adrienne Rich

“This is it, I think, this is it, right now, the present, this empty gas station, here, this western wind, this tang of coffee on the tongue, and I am petting the puppy, I am watching the mountain. And the second I verbalize this awareness in my brain, I cease to see the mountain or feel the puppy. I am opaque, so much black asphalt. But at the same second, the second I know I've lost it, I also realize that the puppy is still squirming on his back under my hand. Nothing has changed for him. He draws his legs down to stretch the skin taut so he feels every fingertip's stroke along his furred and arching side, his flank, his flung-back throat.
I sip my coffee. I look at the mountain, which is still doing its tricks, as you look at a still-beautiful face belonging to a person who was once your lover in another country years ago: with fond nostalgia, and recognition, but no real feeling save a secret astonishment that you are now strangers. Thanks. For the memories. It is ironic that the one thing that all religions recognize as separating us from our creator--our very self-consciousness--is also the one thing that divides us from our fellow creatures. It was a bitter birthday present from evolution, cutting us off at both ends. I get in the car and drive home.”
― Annie Dillard

“I looked out the window and saw the street and railroad tracks, the woods beyond. Beyond the woods, the county of which they were a part. And so on, until it all dissolved into the larger thing: my mother's house becoming every other house as I once had seen it, sitting atop the southern end of a broad river valley, close enough to the the mountains that every few years a scared black bear would wander down into the remaining forest, and close enough to the ocean that those early English settlers took it as the farthest point they'd go upstream, the geology of the place preventing them from having any choice other than the one wherein they said, "We are lost; therefore we will call this home." And close enough that as a child I had been teased by older kids who said if I only tried hard enough I would smell salt water, and I, believing, stood among the light poles and the gulls in the parking lots of A&Ps and cried when I knew that it was true despite the fact that they had meant to lie, as children sometimes do.”
― Kevin Powers, The Yellow Birds

“I could tell from Anna's face that she had already told him about dancing in Saint Petersburg and that the memory weighed on her heavily. What monstrous things, our pasts, especially when they have been lovely. She had told a secret and now had the sadness of wondering how much deeper she might dig in order to keep the first secret fed.”
― Colum McCann, Dancer