“There is something in October sets the gypsy blood astir: We must rise and follow her, When from every hill of flame She calls, and calls each vagabond by name.”
―
―
“He’d been toting it, and checking it, and packing and unpacking, all the way since fate was on the river - that’s how long - the Big River” - Fate Marable and his riverboat caliope (Cleo seemed to recall), who hadastonished the landings between New Orleans and St. Louis with the wild, harsh, skirling Gypsy music, and left there, echoing in the young and restless even as it dies off round the bed; to linger with them thereafter, in the pelting roar of November midnights and the clickety-clack of lonesome valley freights, until they up one night and go after it in a battered bus, following the telephone wires that make a zigzag music staff against the evening sky - some variation of that basic beginning could be told for everyone who jazz has touched and altered.”
―
―
“Have you ever met someone for the first time, but in your heart you feel as if you’ve met them before?”
― When A Mullo Loves A Woman
― When A Mullo Loves A Woman
“Finding her voice at last, she asked, “What dreams are you having, sir?”
“I dreamt I was in a spring field and a woman stands in the shadows just at the edge of the nearby forest. I haven’t yet seen her face, only her long beautiful hair. I always wake too soon.” He reached up to touch the hawk touchstone around his throat as he described his dream, rubbing it absently between his fingers.
Lily lowered her lashes to hide her astonishment. “When you see someone in a dream but cannot see their face, it means you haven’t met them yet,” she explained.
“Then perhaps I’ll dream of her again tonight and this time I’ll see her face.” He smiled, reaching across the table to take her left hand and lift it to his lips. “My name is Ian Kelly, and it would give me the greatest pleasure to know yours.”
“Lily Evans. Around here I go by Raven.” She raised a shoulder, indicating the gypsy tent.
“Lily--indeed, a most beautiful name. Now tell me,” he stared pointedly at her hand, “I see no ring that another has claimed you as his, so my confidence is strengthened. Look at your cards again, milady, and tell me if you see me in your future…”
― The Celtic Knot: Suit of Cups
“I dreamt I was in a spring field and a woman stands in the shadows just at the edge of the nearby forest. I haven’t yet seen her face, only her long beautiful hair. I always wake too soon.” He reached up to touch the hawk touchstone around his throat as he described his dream, rubbing it absently between his fingers.
Lily lowered her lashes to hide her astonishment. “When you see someone in a dream but cannot see their face, it means you haven’t met them yet,” she explained.
“Then perhaps I’ll dream of her again tonight and this time I’ll see her face.” He smiled, reaching across the table to take her left hand and lift it to his lips. “My name is Ian Kelly, and it would give me the greatest pleasure to know yours.”
“Lily Evans. Around here I go by Raven.” She raised a shoulder, indicating the gypsy tent.
“Lily--indeed, a most beautiful name. Now tell me,” he stared pointedly at her hand, “I see no ring that another has claimed you as his, so my confidence is strengthened. Look at your cards again, milady, and tell me if you see me in your future…”
― The Celtic Knot: Suit of Cups
“I regained my soul through literature after those times I'd lost it to wild-eyed gypsy girls on the European streets.”
― Rooftop Soliloquy
― Rooftop Soliloquy
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