Keila (speedreadstagram)

“The racially loaded culture wars of turn-of-the-century Vienna were on. It was only a matter of time before “degenerate” would be aimed at Jews.”
― Anne-Marie O'Connor, The Lady in Gold: The Extraordinary Tale of Gustav Klimt's Masterpiece, Portrait of Adele Bloch-Bauer

“Then a new generation emerged, of Austrians who did not drink from the communal well of self-pity, denial, and deceit.”
― Anne-Marie O'Connor, The Lady in Gold: The Extraordinary Tale of Gustav Klimt's Masterpiece, Portrait of Adele Bloch-Bauer

“Then, improbably, a door opened. In 1948, the state of Israel was declared…Nelly loved her new home from the moment she saw the ancient stones of Jerusalem in the desert sun. She was not a Zionist, or a partisan. She was an orphan of a hostile world. Now she had a refuge. A place where people who had lived through hell were embracing life, joy, idealism, and love.”
― Anne-Marie O'Connor, The Lady in Gold: The Extraordinary Tale of Gustav Klimt's Masterpiece, Portrait of Adele Bloch-Bauer

“In this bleak Vienna, there was almost no one left who had not betrayed the decency of Elisabeth Bachofen-Echt.”
― Anne-Marie O'Connor, The Lady in Gold: The Extraordinary Tale of Gustav Klimt's Masterpiece, Portrait of Adele Bloch-Bauer