Cintia Andrade

“He walked out in the gray light and stood and he saw for a brief moment the absolute truth of the world. The cold relentless circling of the intestate earth. Darkness implacable. The blind dogs of the sun in their running. The crushing black vacuum of the universe. And somewhere two hunted animals trembling like ground-foxes in their cover. Borrowed time and borrowed world and borrowed eyes with which to sorrow it.”
― Cormac McCarthy, The Road

“Hoje sabemos que dia é o nosso, amanhã quem o dirá, Emprestam-te uma espingarda, mas nunca te disseram que a apontasses ao latifúndio, Toda a tua instrução de mira e fogo está virada contra o teu lado, é para o teu próprio e enganado coração que olha o buraco do cano da tua arma, não percebes nada do que fazes e um dia dão-te voz de atirar, e matas-te”
― José Saramago, Levantado del suelo

“It's of some interest that the lively arts of the millennial U.S.A. treat anhedonia and internal emptiness as hip and cool. It's maybe the vestiges of the Romantic glorification of Weltschmerz, which means world-weariness or hip ennui. Maybe it's the fact that most of the arts here are produced by world-weary and sophisticated older people and then consumed by younger people who not only consume art but study it for clues on how to be cool, hip—and keep in mind that, for kids and younger people, to be hip and cool is the same as to be admired and accepted and included and so Unalone. Forget so-called peer-pressure. It's more like peer-hunger. No? We enter a spiritual puberty where we snap to the fact that the great transcendent horror is loneliness, excluded encagement in the self. Once we’ve hit this age, we will now give or take anything, wear any mask, to fit, to be part-of, not be Alone, we young. The U.S. arts are our guide to inclusion. A how-to. We are shown how to fashion masks of ennui and jaded irony at a young age where the face is fictile enough to assume the shape of whatever it wears. And then it’s stuck there, the weary cynicism that saves us from gooey sentiment and unsophisticated naïveté. Sentiment equals naïveté on this continent.”
― David Foster Wallace, Infinite Jest

“To live (as I understand it) is to exist within a conception of time.

But to remember is to vacate the very notion of time.

Every memory, no matter how remote its subject, takes place 'Now,' at the moment it's called to the mind.

The more something is recalled, the more the brain has a chance to refine the original experience.

Because every memory is a re-creation, not a playback.”
― David Mazzucchelli, Asterios Polyp