Kyle Elshoff
https://www.goodreads.com/blarno
Kyle Elshoff
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"Literally reading it like a normal book lol. Finished Laysan Albatross" — Dec 08, 2025 11:51PM
"Literally reading it like a normal book lol. Finished Laysan Albatross" — Dec 08, 2025 11:51PM
“We're each of us alone, to be sure. What can you do but hold your hand out in the dark?”
― The Wind's Twelve Quarters, Volume 1
― The Wind's Twelve Quarters, Volume 1
“We live in capitalism. Its power seems inescapable. So did the divine right of kings. Any human power can be resisted and changed by human beings. Resistance and change often begin in art, and very often in our art, the art of words.”
―
―
“I talk about the gods, I am an atheist. But I am an artist too, and therefore a liar. Distrust everything I say. I am telling the truth. The only truth I can understand or express is, logically defined, a lie. Psychologically defined, a symbol. Aesthetically defined, a metaphor.”
― The Left Hand of Darkness
― The Left Hand of Darkness
“You cannot buy the revolution. You cannot make the revolution. You can only be the revolution. It is in your spirit, or it is nowhere.”
― The Dispossessed: An Ambiguous Utopia
― The Dispossessed: An Ambiguous Utopia
“Aubade with Cutlery and Crickets"
In the dinner I cook for myself tonight,
you are an open drawer of cutlery.
I've smelled the top notes of butter knives
at your shoulder, the tang hidden in the blade
of your walk. I need a serving spoon
to scoop dal into a cool ceramic, a fork
with tines long enough to pierce the skin
of the butternut squash roasted
in honeyjuice. Even your hands
have become a kind of instrument—
delicate enough to slide crabmeat
out of the shell, sturdy enough to crack
a breastbone if need be. Or maybe what
I smelled that morning still full of starlight
and crickets when we said goodbye—
was the clean coolness of a knife's ricasso,
the flat rest for a thumb just before
the blade disappears into its handle.”
― Oceanic
In the dinner I cook for myself tonight,
you are an open drawer of cutlery.
I've smelled the top notes of butter knives
at your shoulder, the tang hidden in the blade
of your walk. I need a serving spoon
to scoop dal into a cool ceramic, a fork
with tines long enough to pierce the skin
of the butternut squash roasted
in honeyjuice. Even your hands
have become a kind of instrument—
delicate enough to slide crabmeat
out of the shell, sturdy enough to crack
a breastbone if need be. Or maybe what
I smelled that morning still full of starlight
and crickets when we said goodbye—
was the clean coolness of a knife's ricasso,
the flat rest for a thumb just before
the blade disappears into its handle.”
― Oceanic
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