Pål

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1984
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The Reapers
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Empire of Grass
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by Tad Williams (Goodreads Author)
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Blake Crouch
“He says, “Every moment, every breath, contains a choice. But life is imperfect. We make the wrong choices. So we end up living in a state of perpetual regret, and is there anything worse? I built something that could actually eradicate regret. Let you find worlds where you made the right choice.” Daniela says, “Life doesn’t work that way. You live with your choices and learn. You don’t cheat the system.”
Blake Crouch, Dark Matter

Michael    Connelly
“He loved the city most at night. The night hid many of the sorrows. It silenced the city yet brought deep undercurrents to the surface. It was in this dark slipstream that he believed he moved most freely. Behind the cover of shadows. Like a rider in a limousine, he looked out but no one looked in.
There was a random feel to the dark, the quirkiness of chance played out in the blue neon light. So many ways to live. And to die.”
Michael Connelly, The Black Ice

James S.A. Corey
“Heroism is a label most people get for doing shit they’d never do if they were really thinking about it.”
James S.A. Corey, Abaddon's Gate

Sandy Mitchell
“regrets are a waste of good drinking time,”
Sandy Mitchell, Hero of the Imperium

Emily St. John Mandel
“Jeevan found himself thinking about how human the city is, how human everything is. We bemoaned the impersonality of the modern world, but that was a lie, it seemed to him; it had never been impersonal at all. There had always been a massive delicate infrastructure of people, all of them working unnoticed around us, and when people stop going to work, the entire operation grinds to a halt. No one delivers fuel to the gas stations or the airports. Cars are stranded. Airplanes cannot fly. Trucks remain at their points of origin. Food never reaches the cities; grocery stores close. Businesses are locked and then looted. No one comes to work at the power plants or the substations, no one removes fallen trees from electrical lines. Jeevan was standing by the window when the lights went out.”
Emily St. John Mandel, Station Eleven

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