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“Your departure crashes like a thunder, and the timbers of the house shake with the force of the space you left behind.”
― When the Tiger Came Down the Mountain
― When the Tiger Came Down the Mountain
“The garnets,' Sniff moaned. 'I didn't get a single one.'
Snufkin sat down beside him and said kindly: 'I know. But that's how it is when you start wanting to have things. Now I just look at them, and when I go away I carry them in my head. Then my hands are always free, because I don't have to carry a suitcase.”
― Comet in Moominland
Snufkin sat down beside him and said kindly: 'I know. But that's how it is when you start wanting to have things. Now I just look at them, and when I go away I carry them in my head. Then my hands are always free, because I don't have to carry a suitcase.”
― Comet in Moominland
“I needed this eternal truth [...] I needed the sense that this invisible world was somehow propping up the visible one, that this one, true line extended infinitely, without width or area, confidently piercing through the shadows. Somehow, this line would help me find peace.”
― The Housekeeper and the Professor
― The Housekeeper and the Professor
“I am not a painter, I am a poet.
Why? I think I would rather be
a painter, but I am not. Well,
for instance, Mike Goldberg
is starting a painting. I drop in.
"Sit down and have a drink" he
says. I drink; we drink. I look
up. "You have SARDINES in it."
"Yes, it needed something there."
"Oh." I go and the days go by
and I drop in again. The painting
is going on, and I go, and the days
go by. I drop in. The painting is
finished. "Where's SARDINES?"
All that's left is just
letters, "It was too much," Mike says.
But me? One day I am thinking of
a color: orange. I write a line
about orange. Pretty soon it is a
whole page of words, not lines.
Then another page. There should be
so much more, not of orange, of
words, of how terrible orange is
and life. Days go by. It is even in
prose, I am a real poet. My poem
is finished and I haven't mentioned
orange yet. It's twelve poems, I call
it ORANGES. And one day in a gallery
I see Mike's painting, called SARDINES.”
―
Why? I think I would rather be
a painter, but I am not. Well,
for instance, Mike Goldberg
is starting a painting. I drop in.
"Sit down and have a drink" he
says. I drink; we drink. I look
up. "You have SARDINES in it."
"Yes, it needed something there."
"Oh." I go and the days go by
and I drop in again. The painting
is going on, and I go, and the days
go by. I drop in. The painting is
finished. "Where's SARDINES?"
All that's left is just
letters, "It was too much," Mike says.
But me? One day I am thinking of
a color: orange. I write a line
about orange. Pretty soon it is a
whole page of words, not lines.
Then another page. There should be
so much more, not of orange, of
words, of how terrible orange is
and life. Days go by. It is even in
prose, I am a real poet. My poem
is finished and I haven't mentioned
orange yet. It's twelve poems, I call
it ORANGES. And one day in a gallery
I see Mike's painting, called SARDINES.”
―
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— last activity Nov 07, 2025 09:51PM
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