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Exit West
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Monsterland
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by James Crowley (Goodreads Author)
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Shadows of the Da...
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John  Green
“The thing about That Guy Is a Gigolo,' Radar says, 'I mean, the thing about it as a game, is that in the end it reveals a lot more about the person doing the imagining than it does about the person being imagined.”
John Green, Paper Towns

John  Green
“Nothing really mattered that much, not the good things and not the bad ones. We were in the business of mutual amusement, and we were reasonably prosperous.”
John Green, Paper Towns

John  Green
“The rules of capitalization are so unfair to words in the middle of a sentence.”
John Green, Paper Towns

John  Green
“And then, in boating supplies, Margo located an air horn. She took it out of the box and held it up in the air, and I said, "No," and she said, "No what?" And I said, "No don't blow the air horn," except when I got to the b in blow, she squeezed on it and it let out an excruciatingly loud honk that felt in my head like the auditory equivalent of an aneurysm, and then she said, "I'm sorry, I couldn't hear you. What was that?" And I said, "Stop b-" and then she did it again.”
John Green, Paper Towns

John  Green
“I always thought of it like you said, that all the strings inside him broke. But there are a thousand ways to look at it: maybe the strings break, or maybe our ships sink, or maybe we’re grass—our roots so interdependent that no one is dead as long as someone is alive. We don’t suffer from a shortage of metaphors, is what I mean. But you have to be careful which metaphor you choose, because it matters. If you choose the strings, then you’re imagining a world in which you can become irreparably broken. If you choose the grass, you’re saying that we are all infinitely interconnected, that we can use these root systems not only to understand one another but to become one another. The metaphors have implications. Do you know what I mean?”
John Green, Paper Towns

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