Samuel Jackson

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Inherent Vice
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Fyodor Dostoevsky
“It is clear to me now that, owing to my unbounded vanity and to the high standard I set for myself, I often looked at myself with furious discontent, which verged on loathing, and so I inwardly attributed the same feeling to everyone.”
Fyodor Dostoyevsky, Notes from Underground

Fyodor Dostoevsky
“It is better to be unhappy and know the worst, than to be happy in a fool's paradise.”
Fyodor Dostoyevsky, The Idiot

Fyodor Dostoevsky
“It's life that matters, nothing but life—the process of discovering, the everlasting and perpetual process, not the discovery itself, at all.”
Fyodor Dostoyevsky, The Idiot

Marcel Proust
“For, like desire, regret seeks not to be analysed but to be satisfied. When one begins to love, one spends one’s time, not in getting to know what one’s love really is, but in making it possible to meet next day. When one abandons love one seeks not to know one’s grief but to offer to her who is causing it that expression of it which seems to one the most moving. One says the things which one feels the need of saying, and which the other will not understand, one speaks for oneself alone. I wrote: 'I had thought that it would not be possible. Alas, I see now that it is not so difficult.' I said also: 'I shall probably not see you again;' I said it while I continued to avoid shewing a coldness which she might think affected, and the words, as I wrote them, made me weep because I felt that they expressed not what I should have liked to believe but what was probably going to happen.”
Marcel Proust, In the Shadow of Young Girls in Flower

Marcel Proust
“Even the simple act which we describe as 'seeing someone we know' is, to some extent, an intellectual process. We pack the physical outline of the creature we see with all the ideas we already formed about him, and in the complete picture of him which we compose in our minds those ideas have certainly the principal place. In the end they come to fill out so completely the curve of his cheeks, to follow so exactly the line of his nose, they blend so harmoniously in the sound of his voice that these seem to be no more than a transparent envelope, so that each time we see the face or hear the voice it is our own ideas of him which we recognize and to which we listen.”
Marcel Proust, Swann’s Way

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