Kisani

“Thou good God, what a miserable plight I have come to! I was so heartily tired and weary of all my miserable life that I did not find it worth the trouble of fighting any longer to preserve it. Adversity had gained the upper hand; it had been too strong for me. I had become so strangely poverty-stricken and broken, a mere shadow of what I once had been; my shoulders were sunken right down on one side, and I had contracted a habit of stooping forward fearfully as I walked, in order to spare my chest what little I could. I had examined my body a few days ago, one noon up in my room, and I had stood and cried over it the whole time. I had worn the same shirt for many weeks, and it was quite stiff with stale sweat, and had chafed my skin. A little blood and water ran out of the sore place; it did not hurt much, but it was very tiresome to have this tender place in the middle of my stomach. I had no remedy for it, and it wouldn't heal of its own accord. I washed it, dried it carefully, and put on the same shirt. There was no help for it, it....”
― Knut Hamsun, Hunger

“At a brown door at the end of the basement corridor she knocked to the beat of an Umar Dimayev song.”
― Anthony Marra, A Constellation of Vital Phenomena

“The sole book now in Dorothy’s possession is a copy of Hamilton’s Mythology. A book she has loved since childhood, when she spied the tattered paperback in a bin in her local library, passed over by all the other kids for its ruined state. It says on the back, published in the U.S.A. She has learned to read this foreign language from this book, this book of myths. She loves each of the little chapters, how they are short, and self-contained, but also all fit together in a larger universe of gods and goddesses, spirits, lower and higher, deities of all types and their seconds, their assistants, their rivalries and hierarchies, their relative powers and weaknesses. Their petty squabbles and sordid doings and secret crushes. Every time she opens the book, she hopes to turn to a new page, a new god, a little tiny thing. She likes the minor gods the best, because they are easier to master, to learn everything about. She can search out and soak up all of the other things that other people had written or said about this minor god, and in that way become an authority on such a god. And when she becomes an authority someday, an expert in her own right, she thinks that maybe she might be able to make her own entry in the book. To create a tiny god from scratch. She has not named it yet. Perhaps the god of bus rides. The god of sponge baths, or maps, or minimum wage. The god of immigrants.”
― Charles Yu, Interior Chinatown

“the country life. Like in Miyazaki’s film My Neighbor Totoro, do you know it?”
― Hiro Arikawa, The Travelling Cat Chronicles