Lucy

“A blank canvas...has unlimited possibilities.”
― Stephanie Perkins, Isla and the Happily Ever After

“I’m…getting there. I’m beginning to think that maybe it’s okay to be a blank canvas. Maybe it’s okay that my future is unknown. And maybe,” I say with another smile, “it’s okay to be inspired by the people who do know their future.” “It goes both ways, you know.” I link his icicle fingers through mine. “What does?” “Artists are inspired by blank canvases.” My smile grows wider.”
― Stephanie Perkins, Isla and the Happily Ever After

“Once upon a time, there was a girl who talked to the moon. And she was mysterious and she was perfect, in that way that girls who talk to moons are. In the house next door, there lived a boy. And the boy watched the girl grow more and more perfect, more and more beautiful with each passing year. He watched her watch the moon. And he began to wonder if the moon would help him unravel the mystery of the beautiful girl. So the boy looked into the sky. But he couldn't concentrate on the moon. He was too distracted by the stars. And it didn't matter how many songs or poems had already been written about them, because whenever he thought about the girl, the stars shone brighter. As if she were the one keeping them illuminated.

One day, the boy had to move away. He couldn't bring the girl with him, so he brought the stars. When he'd look out his window at night, he would start with one. One star. And the boy would make a wish on it, and the wish would be her name.

At the sound of her name, a second star would appear. And then he'd wish her name again, and the stars would double into four. And four became eight, and eight became sixteen, and so on, in the greatest mathematical equation the universe had ever seen. And by the time an hour had passed, the sky would be filled with so many stars that it would wake the neighbors. People wondered who'd turned on the floodlights.

The boy did. By thinking about the girl.”
― Stephanie Perkins, Lola and the Boy Next Door

“What are you working on?" I ask.
"The last page." He gestures towards the table, where a pencilled sketch is being turned into inked brushstrokes. It's a drawing of us, in this café, in this moment.
I smile up at him "It's beautiful. But what comes next?"
"The best part." And he pulls me back into his arms. "The happily ever after.”
― Stephanie Perkins, Isla and the Happily Ever After