Markus Sokolowski

“He says it was tourists being careless, where I see a fiendishly clever murder attempt.”
“Mr. McCarthy, you’d better explain.”
“Patrick, please. You’ll be tempted to laugh. It was a banana skin.”
― Susan Rowland, Murder on Family Grounds

“He desperately tried to think of a story to explain his involvement in her sudden appearance, without mentioning the book of magic in his possession.
 ”
― Max Nowaz, The Three Witches and the Master

“He laughed. “What’s to say? Great paintings—people flock to see them, they draw crowds, they’re reproduced endlessly on coffee mugs and mouse pads and anything-you-like. And, I count myself in the following, you can have a lifetime of perfectly sincere museum-going where you traipse around enjoying everything and then go out and have some lunch. But—” crossing back to the table to sit again “—if a painting really works down in your heart and changes the way you see, and think, and feel, you don’t think, ‘oh, I love this picture because it’s universal.’ ‘I love this painting because it speaks to all mankind.’ That’s not the reason anyone loves a piece of art. It’s a secret whisper from an alleyway. Psst, you. Hey kid. Yes you.” Fingertip gliding over the faded-out photo—the conservator’s touch, a touch-without-touching, a communion wafer’s space between the surface and his forefinger.”
― Donna Tartt, The Goldfinch

“You can't be nobody's frien' an' slave both."
"How come, Pappy?"
"'Cause friend's don't own one 'nother.”
― Alex Haley, Roots