Dalila Putzel

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The Zombie Room
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Slaughterhouse-Five
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Scott Heim
“It was Brian's blood, and for some reason I knew it was pure. No other man I'd held in my arms -and now, not even I- had blood this pure.”
Scott Heim, Mysterious Skin

Marisha Pessl
“I began to experience, over the course of the next three months, full-blown insomnia. I’m not talking about the romantic kind, not the sweet sleeplessness one has when one is in love, anxiously awaiting the morn so one can rendezvous with a lover in an illicit gazebo. No, this was the torturous, clammy kind, when one’s pillow slowly takes on the properties of a block of wood and one’s sheets, the air of the Everglades.”
Marisha Pessl

“If the onset of wrinkles in middle age were referred to as laughter lines, then to look at him, Scott thought, Twinkle's life must have been hilarious. He had sharp eyes that often seemed to visually contradict the lack of intelligence that could be derived from listening to him talk. There might not be a lot to respect in Twinkle, but Scott liked him. He just didn't want to end up like him.”
R.D. Ronald, The Elephant Tree

Hubert Selby Jr.
“Harry and Tyrone were holding out a little more on each other each day. If one guy somehow got caught short and his nose and eyes were running and his body shivering as they scuffled and hustled the street trying to cop, and asked the other one to give him a taste, the guy swore up and down he had nothing, that he had just done in his cottons, and he would start shaking, trying to fake his friend out.”
Hubert Selby Jr., Requiem for a Dream

Donna Tartt
“Henry’s a perfectionist, I mean, really-really kind of inhuman — very brilliant, very erratic and enigmatic. He’s a stiff, cold person, Machiavellian, ascetic and he’s made himself what he is by sheer strength of will. His aspiration is to be this Platonic creature of pure rationality and that’s why he’s attracted to the Classics, and particularly to the Greeks — all those high, cold ideas of beauty and perfection.”
Donna Tartt, The Secret History

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