Dominique

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Czesław Miłosz
“Tomber amoureux. To fall in love. Does it occur suddenly or gradually? If gradually, when is the moment “already”? I would fall in love with a monkey made of rags. With a plywood squirrel. With a botanical atlas. With an oriole. With a ferret. With a marten in a picture. With the forest one sees to the right when riding in a cart to Jaszuny. With a poem by a little-known poet. With human beings whose names still move me. And always the object of love was enveloped in erotic fantasy or was submitted, as in Stendhal, to a “cristallisation,” so it is frightful to think of that object as it was, naked among the naked things, and of the fairy tales about it one invents. Yes, I was often in love with something or someone. Yet falling in love is not the same as being able to love. That is something different.”
Czeslaw Milosz

Czesław Miłosz
“The creative act of the artist lifts him above himself by demanding full surrender. No one puts words on paper or paint on canvas, doubting. If one doubts, one does so five minutes later...”
Czesław Miłosz, Native Realm: A Search for Self-Definition

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