Status Updates From Michael Moorcock: Death Is ...

This was a really hard read because I haven't read a single book that was discussed, but it was still packed with interesting thoughts on forms of story.

I'm not a Moorcock scholar or a pulp expert, so about half of the conversation just flies over my head. The other half is very interesting discussions of how to plot and why. If I knew the old stuff better, I think this book would cause my head to explode.

It's early, but I already have the feeling this book will require multiple readings to glean all of its wheat. Metaphorically speaking.