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The Oxford Shakespeare. The Complete Works by
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Amin Yazdani
is starting
I am reading the Hamlet only at this time.
— 1 hour, 39 min ago
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Ingvild Sofie
is on page 97 of 1263
Slutten av King Henry VI part 3
— Jan 05, 2026 08:04AM
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sologdin
is on page 89 of 1344
2 Henry VI
the silence that was imposed on Silvia and Bianca in the two prior plays in order to constitute order and prevent tragedy is here assumed by the sovereign as the marker of holiness--instead of speaking as holder of the office of executive, his 'bookish rule' offers prayers that can only defer judgment--an unholy dereliction as witches, false miracles, ghosts, and ochlocratic violence proliferate.
— Jan 05, 2026 07:28AM
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the silence that was imposed on Silvia and Bianca in the two prior plays in order to constitute order and prevent tragedy is here assumed by the sovereign as the marker of holiness--instead of speaking as holder of the office of executive, his 'bookish rule' offers prayers that can only defer judgment--an unholy dereliction as witches, false miracles, ghosts, and ochlocratic violence proliferate.
Ingvild Sofie
is on page 71 of 1263
"See, ruthless queen, a hapless father's tears:
This cloth thou dipp'dst in blood of my sweet boy"
Måten bro sier det her på. Det er en hjerteskjærende linje ellers, men han skuespilleren sa det på den morsomste måten ever omg
— Jan 04, 2026 01:46PM
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This cloth thou dipp'dst in blood of my sweet boy"
Måten bro sier det her på. Det er en hjerteskjærende linje ellers, men han skuespilleren sa det på den morsomste måten ever omg
Ingvild Sofie
is on page 65 of 1263
Slutten av King Henry VI Part 2
— Jan 03, 2026 11:51AM
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sologdin
is on page 53 of 1344
The Taming of the Shrew
analysis of a disciplinary program over 'madness' wherein a despotic gender regime constructs a compliant subject. As with Silvia at the end of TGV, the objections of Katherina, Bianca, and the Widow are preempted so as to keep this text within 'comedy'--if they could speak their own ethics, it would amount to Hegelian impasse; readers otherwise see the tragedy that the text disallows.
— Jan 03, 2026 06:11AM
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analysis of a disciplinary program over 'madness' wherein a despotic gender regime constructs a compliant subject. As with Silvia at the end of TGV, the objections of Katherina, Bianca, and the Widow are preempted so as to keep this text within 'comedy'--if they could speak their own ethics, it would amount to Hegelian impasse; readers otherwise see the tragedy that the text disallows.
