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The House of the Dead: Or, Prison Life in Siberia The House of the Dead: Or, Prison Life in Siberia
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Notes from a Dead House

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The House of the Dead

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The House of the Dead

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Notes from a Dead House

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Notes from a Dead House

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Memorie di una casa morta

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The House of the Dead

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The House of the Dead

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Notes from a Dead House

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Ölüler Evinden Anılar

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The House of the Dead

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The House of the Dead

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Memorie da una casa di morti

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Memorias de la casa muerta

Pamela Shropshire
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[Theater] Imagine prison, fetters, unfreedom, long sad years ahead, a life as monotonous as drizzling rain on a dreary autumn day—and suddenly all these downtrodden and confined men are allowed for one little hour to let go, to have fun, to forget the oppressive dream, to set up a whole theater, and what a theater: to the pride and astonishment of the whole town, as if to say, see what kind of prisoners we are!
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Notes from a Dead House

Pamela Shropshire
Pamela Shropshire is on page 131 of 336
[On Christmas] Besides reverence for the great day, the prisoner unconsciously felt that by observing the holiday he was as if in contact with the whole world, that he was therefore not entirely an outcast, a lost man, a cut-off slice, that things in prison were the same as among other people.
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Notes from a Dead House

Pamela Shropshire
Pamela Shropshire is on page 111 of 336
The prisoner himself knows that he is a prisoner, an outcast, and he knows his place before his superior; but no brands, no fetters will make him forget that he is a human being. And since he is in fact, a human being, it follows that he must be treated as a human being. My God! Humane treatment may make a human being even of someone in whom the image of God has faded long ago.
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Notes from a Dead House

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