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Death-Devoted Heart: Sex and Sacred in Wagner's Tristan and Isolde Death-Devoted Heart: Sex and Sacred in Wagner's Tristan and Isolde
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Olive Smith
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Death-Devoted Heart: Sex and Sacred in Wagner's Tristan and Isolde

Tyler
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Death-Devoted Heart: Sex and Sacred in Wagner's Tristan and Isolde

Tyler
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Death-Devoted Heart: Sex and Sacred in Wagner's Tristan and Isolde

Tyler
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Death-Devoted Heart: Sex and Sacred in Wagner's Tristan and Isolde

Tyler
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Death-Devoted Heart: Sex and Sacred in Wagner's Tristan and Isolde

Tyler
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Death-Devoted Heart: Sex and Sacred in Wagner's Tristan and Isolde

Tyler
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Death-Devoted Heart: Sex and Sacred in Wagner's Tristan and Isolde

Tyler
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Death-Devoted Heart: Sex and Sacred in Wagner's Tristan and Isolde

Tyler
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Death-Devoted Heart: Sex and Sacred in Wagner's Tristan and Isolde

Peter
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Death-Devoted Heart: Sex and Sacred in Wagner's Tristan and Isolde

Peter
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Death-Devoted Heart: Sex and Sacred in Wagner's Tristan and Isolde

Lia
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the artistic purpose of Wagner’s drama is to show that they are not fantastic at all, but rather the exaltation and vindication of a tendency that is already there in all of us, buried like a seed in the most mundane human love, unable to bud in the trampled world of daily life but flowering at last in art, which rescues from the marketplace of compromise this “most beautiful of my dreams,” as Wagner described it.
May 20, 2021 09:37AM Add a comment
Death-Devoted Heart: Sex and Sacred in Wagner's Tristan and Isolde

Lia
Lia is on page 50 of 248
"Here we are not in the vicinity of an ordinary, repeatable, marketplace transaction of the kind that disgusted Gottfried. We are encountering the erotic in its highest form, as a bond that is completely independent of the external, public, and objective side of human life, and which binds soul to suffering soul in eternal union."
May 20, 2021 08:10AM Add a comment
Death-Devoted Heart: Sex and Sacred in Wagner's Tristan and Isolde

Lia
Lia is on page 50 of 248
Tristan...has a public and a private side, and that what he really is—what he is for himself—is hidden behind the veil of courtly virtue. Tristan the hero is successful, glorious, universally admired. But the real Tristan is lonely, suffering, and vulnerable. And it is that real Tristan... who was touched and healed by the Princess Isolde, and who acknowledged this fact with a look
May 20, 2021 07:39AM Add a comment
Death-Devoted Heart: Sex and Sacred in Wagner's Tristan and Isolde

Lia
Lia is on page 142 of 248
This is amazing. I can't follow 80% of the music theory being mentioned and I'm still enjoying this a great deal, and keep turning pages, and expect I will want to revisit this, and contemplating I might want to take some classes in musical theory just to get more out of this.
May 16, 2021 12:22PM Add a comment
Death-Devoted Heart: Sex and Sacred in Wagner's Tristan and Isolde

Lia
Lia is on page 28 of 248
Wagner described his opera as a tale of “endless yearning, longing, the bliss and wretchedness of love; world, power, fame, honor, chivalry, loyalty and friendship all blown away like an insubstantial dream; one thing alone left living— longing, longing unquenchable, a yearning, a hunger, a languishing forever renewing itself; one sole redemption — death, surcease, a sleep without awakening.”
Apr 26, 2021 08:39PM Add a comment
Death-Devoted Heart: Sex and Sacred in Wagner's Tristan and Isolde

Lia
Lia is on page 28 of 248
"T and I are represented as elevated by their love to a metaphysical condition that removes them completely from the laws and customs of the surrounding order. They address each other in noble and courteous language, even while betraying the most solemn vows and sacred rules of conduct. Their crimes are thrust upon them by something more holy than the laws that they violate."
Apr 26, 2021 08:24PM Add a comment
Death-Devoted Heart: Sex and Sacred in Wagner's Tristan and Isolde

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