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Death-Devoted Heart: Sex and Sacred in Wagner's Tristan and Isolde by
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Lia
is on page 51 of 248
the artistic purpose of Wagner’s drama is to show that they are not fantastic at all, but rather the exaltation and vindication of a tendency that is already there in all of us, buried like a seed in the most mundane human love, unable to bud in the trampled world of daily life but flowering at last in art, which rescues from the marketplace of compromise this “most beautiful of my dreams,” as Wagner described it.
— May 20, 2021 09:37AM
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Lia
is on page 50 of 248
"Here we are not in the vicinity of an ordinary, repeatable, marketplace transaction of the kind that disgusted Gottfried. We are encountering the erotic in its highest form, as a bond that is completely independent of the external, public, and objective side of human life, and which binds soul to suffering soul in eternal union."
— May 20, 2021 08:10AM
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