Status Updates From بینامتنیت

Was vergeten dat ik dit moest lezen oepsie

ik voel me zo slim cool en woke wnr ik dit lees echt aanrader

boem gaaf

Barthes and his two kinds of reader makes me think how everyone (for example Lewis) has it's own two kinds of readers.

Kristeva’s contribution is to focus far more than Bakhtin does on the changes and transpositions this involves for the subject who speaks or writes. Kristeva argues that it is in Modernist texts that this transpositional aspect begins to be self-consciously exploited

The subject position which any speaker or writer takes up is largely dependent upon the context in which that subject speaks or writes. Bakhtin’s notion of speech genres is recognizable here.

Such explicitly intertextual forms of literature, Kristeva and Barthes argue, foreground the fact that they are not original works written by unique authors of great genius, but rather that they are the product of split subjects.

Kristeva’s work on intertextuality focuses
heavily on late nineteenth-century and early twentiethcentury
avant-garde writing. Barthes argues that explicitly intertextual
writing comes to the fore in twentieth-century Modernism and
avant-garde movements.