Status Updates From Minima Moralia: Reflections...

Perhaps the strict and pure concept of art is applicable only to music, while great poetry or great painting – precisely the greatest – necessarily brings with it an element of subject-matter transcending aesthetic confines, undissolved in the autonomy of form. The more profound and consequential an aesthetic theory, the more inappropriate it becomes to such works as the major novels of the nineteenth century.

In “Wolf as grandmother,” Adorno contests the arguments of those who defend cinema as “popular art” against “the norms of the autonomous work.” According to him, they’re mistaken in comparing the film, with its “lying stereotypes” and its “barbaric cruelty that divides the world into good and evil,” with the greatest fairy-tales, “which have the stepmother dance to death in red-hot iron

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The bad comrade.* – In a real sense, I ought to be able to deduce Fascism from the memories of my childhood. As a conqueror dispatches envoys to the remotest provinces, Fascism had sent its advance guard there long before it marched in: my schoolfellows. If the bourgeois class has from time immemorial nurtured the dream of a brutal national community, of oppression of all by all; children already

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All the little flowers. – The pronouncement, probably by Jean Paul, that memories are the only possessions which no-one can take from us, belongs in the storehouse of impotently sentimental consolations that the subject, resignedly withdrawing into inwardness, would like to believe the very fulfilment that he has given up. In setting up his own archives, the subject seizes his own stock of

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Expiry. – Sleepless night: so there is a formula for those tormented hours, drawn out without prospect of end or dawn, in the vain effort to forget time’s empty passing. But truly terrifying are the sleepless nights when time seems to contract and run fruitlessly through our hands. We put out the light in the hope of long hours of rest that can bring succour. But as our thoughts run wild the

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Part Three 😮‍💨

On American hotels:

The division of labour, the system of automatized facilities, has the result that no-one is concerned for the client’s comfort. No-one can divine from his expression what might take his fancy, for the waiter no longer knows the menu, and if he makes suggestions of his own he must be prepared to face rebuke for having overstepped his limits. No-one hastens to serve the guest, however long

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