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A Beginner's Guide to Constructing the Universe: The Mathematical Archetypes of Nature, Art, and Science A Beginner's Guide to Constructing the Universe: The Mathematical Archetypes of Nature, Art, and Science
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Sina
Sina is on page 192 of 351
We can train ourselves to view plants not as “things” but as patterns of moving energy.
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A Beginner's Guide to Constructing the Universe: The Mathematical Archetypes of Nature, Art, and Science

Sina
Sina is on page 175 of 351
The digestive system follows a whirlpool to transform food into energy and waste.
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A Beginner's Guide to Constructing the Universe: The Mathematical Archetypes of Nature, Art, and Science

Sina
Sina is on page 174 of 351
Far from insignificant, the calm eye is the spiral's center of gravity around which it all balances. Without the eye there would be no spiral expansion or dissolution, no whirling, no balance, no life.
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A Beginner's Guide to Constructing the Universe: The Mathematical Archetypes of Nature, Art, and Science

Sina
Sina is on page 174 of 351
In watching water whirl down a drain, note that the narrower and calmer the eye is, the greater the speed and turbulence around it. Notice also that unlike the center of a wheel, the spiral's eye is not fixed in one place but is dynamic and flexible.
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A Beginner's Guide to Constructing the Universe: The Mathematical Archetypes of Nature, Art, and Science

Sina
Sina is on page 174 of 351
Learn to recognize spirals in nature, in the living whirlpools we call "trees" and in house plants. Look for the "eye." Whatever its substance, the eye is always mysterious and hypnotically fascinating to watch and to contemplate as the source of the spiral.
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A Beginner's Guide to Constructing the Universe: The Mathematical Archetypes of Nature, Art, and Science

Sina
Sina is on page 173 of 351
Mathematicians call the golden spiral's eye an asymptote, a place always approached but never reached.
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A Beginner's Guide to Constructing the Universe: The Mathematical Archetypes of Nature, Art, and Science

Sina
Sina is on page 173 of 351
These correspond to the eye and the spiral, the unknowable source and the turbulent universe around it, mysteriously driven by the "calm" core.
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A Beginner's Guide to Constructing the Universe: The Mathematical Archetypes of Nature, Art, and Science

Sina
Sina is on page 173 of 351
The Hindu religion refers to two aspects of the universe, the unmanifest and the manifest. The unmanifest is called Nirguna Brahma, "Brahma without qualities," unknowable, without characteristics, while the manifest universe is called Saguna Brahma, "Brahma with qualities," all that is know-able.
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A Beginner's Guide to Constructing the Universe: The Mathematical Archetypes of Nature, Art, and Science

Sina
Sina is on page 173 of 351
Like the deceptively calm eye within a storm or hurricane, intense action swirls all around it but the eye itself remains placid, untouched. Leaves rustle in the wind, but the trunk is rooted in the earth.
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A Beginner's Guide to Constructing the Universe: The Mathematical Archetypes of Nature, Art, and Science

Sina
Sina is on page 173 of 351
A curious fact about the golden spiral in mathematics and nature is that it has a "calm eye," a core with a character different from that of the whirlwind around it. A watery whirlpool wraps around a core of air; the leaves of a tree whirl around a woody trunk. The calm eye corresponds to the "zero" at the very beginning of the Fibonacci sequence.
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A Beginner's Guide to Constructing the Universe: The Mathematical Archetypes of Nature, Art, and Science

Becky Carlan
Becky Carlan is on page 334 of 351
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A Beginner's Guide to Constructing the Universe: The Mathematical Archetypes of Nature, Art, and Science

Becky Carlan
Becky Carlan is on page 291 of 351
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A Beginner's Guide to Constructing the Universe: The Mathematical Archetypes of Nature, Art, and Science

Becky Carlan
Becky Carlan is on page 241 of 351
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A Beginner's Guide to Constructing the Universe: The Mathematical Archetypes of Nature, Art, and Science

Becky Carlan
Becky Carlan is on page 211 of 351
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A Beginner's Guide to Constructing the Universe: The Mathematical Archetypes of Nature, Art, and Science

Becky Carlan
Becky Carlan is on page 172 of 351
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A Beginner's Guide to Constructing the Universe: The Mathematical Archetypes of Nature, Art, and Science

Sina
Sina is on page 94 of 351
The word nature comes from the Latin for “birth”. Mater, the Latin word for Mother, has given rise to the word “matter”, also related to meter (measure) and matrix. the lating word for father, pater, gave rise to patron and pattern. thus, natural forms can be seen as coming from both a mother and father, the mating of matter and pattern.
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A Beginner's Guide to Constructing the Universe: The Mathematical Archetypes of Nature, Art, and Science

Becky Carlan
Becky Carlan is on page 128 of 351
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A Beginner's Guide to Constructing the Universe: The Mathematical Archetypes of Nature, Art, and Science

Sina
Sina is on page 82 of 351
Esoteric Freemasonry of the eighteenth century used architectural symbolism to convey ancient teachings of self-knowledge and inner development passed down from Egyptian times.
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A Beginner's Guide to Constructing the Universe: The Mathematical Archetypes of Nature, Art, and Science

Ryder
Ryder is on page 32 of 658
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A Beginner's Guide to Constructing the Universe: The Mathematical Archetypes of Nature, Art, and Science

Sina
Sina is on page 31 of 351
Unity always preserves the identiy of all it encounters, We might say “one” waits quietly within each form without stiring, motionless, never mingling yet supporting all. The Monad is the universe’s common denominator. The ancient Gnostics called it the “silent force.” The universe was carved of this primal silence. Everything strives in one way or another toward unity.
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A Beginner's Guide to Constructing the Universe: The Mathematical Archetypes of Nature, Art, and Science

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