Status Updates From rib/cage: poems

ArunDithha's "Unidentifiable Object" and portions of Zeha's "mere-made" are quite stunning (see: "man-made/made by mereness" and "plastered to these bones/and for what/for borders to be parameters of what is enough/what is reclamation/what is it") but Rosaly Puthucheary has been the complete unexpected force of this folio so far. The way in which her sharp, considered questions ask; letting you know she already knows