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emily
is on page 309 of 464
‘Slaughterhouses—turn into—planters—frothing with foliage—pixelated mass—beehive hangs from a persimmon—What will those cats look like in a few generations? Space is the sum of all their possible moves. Time, the actualisation of each one of those moves, explains itself through music—The sound challenges air itself—The desire to—submit & conquer is the dullest mystery to her—Still, she's not indifferent to—mahjong—’
— Aug 01, 2026 05:43PM
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emily
is on page 270 of 464
‘Different temporalities coexist—an ever-expanding arborescence—In one timeline, his existence has ended, in the other, it continues—They truly begin—when they meet in the telepathic space—‘& what do some—do with the astounding gifts of sentience, thought & expression? They choose to find ways of increasing profit—accumulating wealth. Hard to imagine anything narrower & bleaker—emptier of wonder—incurious—unloving.’’
— Aug 01, 2026 05:17PM
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emily
is on page 237 of 464
‘—despite the vectors of uncertainty—radiated from it—I’d left—my childhood behind. Someone else was gestated—born—collective closeness defined that period—I remained in communion with some of those people even if we never saw each other again—I remember the sounds themselves—I loved not knowing—noises reached me from that other reality by cracking this one—I even welcomed the stench—an obvious emblem. An allegory.’
— Jul 30, 2026 09:49AM
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switterbug (Betsey)
is starting
I’m in no hurry— I don’t and won’t want this to end. Early on, it’s an addictive page-turner. I’m having a fantastic reading experience!
— Jul 27, 2026 09:03AM
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emily
is on page 207 of 464
‘—we’d all decode that music—hear its grammar, feel its punctuation, recognise its sentences, distinguish its phrases—predict its cadences. It would make sense. Then finally it would speak to us—If darkness was our social element—water became our private substance. Because we didn’t care to make a profit—we were exceptionally reliable—An anonymous form of collective—We were around when it mattered—then we were gone—’
— Jul 24, 2026 06:49PM
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emily
is on page 178 of 464
‘—committed to easing the suffering around them regardless of gain. But they are few and overwhelmed—A new form of violence, dispassionate and beyond words. ‘Help me help you. This is something people say in your language.’ Continents drifting apart from one another, reduced to dim concepts. Within each continent, fully disconnected—blanks in between. We’re taught to anticipate one another’s needs—She knew.’
— Jul 21, 2026 04:16AM
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Josh Escandon
is 50% done
This has been a fascinating slow-simmering dystopian tale. I love the unnamed protagonist and the incredible world she resides in.
— Jul 17, 2026 08:37PM
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emily
is on page 133 of 464
‘What kind of person enjoys possessing life in such a way, for no purpose other than to feel the thrill of owning someone so monstrously close to and far from a friend? People used to do this centuries ago. But now? Just a few nostalgic jerks would dare to be seen using animals as toys. It's a sinister loop, it’s their younger selves they want to adopt, abduct, protect, punish—they only feel half alive without one.’
— Jul 15, 2026 06:14PM
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Josh Escandon
is starting
So excited to get approved for this! Trust is one of my favorite literary novels of the last several years.
— Jul 15, 2026 12:19PM
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