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Hannah
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‘Émile Zola’s—Nana (1880) evokes the rise, fall—of a—teenager—She destroys every man who crosses her path before herself—portending the fall of the Second Empire. Nana, although theoretically human, is a destructive—powerful machine—engine of the new civilisation as well as the motor—This is one of the most powerful modern versions of a far more widespread misogynistic trope—beauty is presented as—worthy of blame.’
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Crossing the Wine-Dark Sea: Journeys Through Ancient Literature

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