Status Updates From Gay Guerrilla: Julius Eastm...
Gay Guerrilla: Julius Eastman and His Music (Eastman Studies in Music, 129) by
Status Updates Showing 1-30 of 50
Greg
is on page 192 of 284
Eastman notoriously composed a whole ‘nigger’ series of works...There is no self-hatred in these title choices but, rather, self-empowerment: the titling was, among other things, a way of exercising power, a way of taking control over words and their meaning.
— May 25, 2026 04:26AM
Add a comment
Greg
is on page 149 of 284
…if [‘Crazy Nigger’] had been titled ‘Four Pianos’ or ‘Music in Seventeen Parts’…academic language would make it profoundly easy to divorce it from its composer. Instead, the musicologist, the performer, and the listener must deal with Julius Eastman himself, or at least the conversation he wanted us to have. This is not a work for a committee to give an award to and then place onto a shelf.
— May 24, 2026 11:41AM
Add a comment
Greg
is on page 98 of 284
His Stay On It of 1973 used repetition and the additive process in a way that Steve Reich and Philp Glass had made familiar, but it may have been the first minimalist piece to appropriate pop rhythms and harmonies…It is amazing to think that at that time Glass had not yet written Music in Twelve Parts nor Reich Music for Eighteen Musicians.
— May 23, 2026 09:05AM
Add a comment
Greg
is on page 50 of 284
Another reading of the work may be as a manifestation of racial anger—Eastman’s comment on the status of blacks or gays in society. Similarly, seizure of the words ‘nigger’ and ‘faggot’ in the titles for his compositions, is an extension of this device—detoxification through insistent confrontation.
— May 22, 2026 02:50PM
Add a comment
Greg
is starting
On the one hand, he was a highly regarded Grammy-nominated singer-actor in the United States and abroad; a faculty member at a major university; a respected composer-pianist in a prestigious musical ensemble and had...‘grown up in a white world’...on the other hand, he was constantly at risk for being demeaned as a black man or (as his brother termed it—the ‘double whammy’) as a gay black man.
— May 21, 2026 11:45AM
Add a comment
Daniel
is on page 100 of 284
The Kyle Gann essay is lovely. Respectful without trying to gild the lily or polish the turd. He actually engages with Eastman's music and legacy and exposes the reader to information that might help understand the work being performed by his music. He doesn't try to position himself as an expert but rather as someone who knew and appreciated him.
— Sep 19, 2021 09:01AM
Add a comment
Daniel
is on page 82 of 284
I've waited so long to read this, and no I don't even know if I can stand to finish it :/
— Sep 19, 2021 07:35AM
Add a comment









