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Bodies in Pain: Emotion And The Cinema Of Darren Aronofsky Bodies in Pain: Emotion And The Cinema Of Darren Aronofsky
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Casey Kiser
Casey Kiser is on page 55 of 184
The conflict between artificial, drug-induced rhythm and natural bodily rhythm in Requiem for a Dream has its counterpart in the way in which the affective development of the film progresses from a euphoric phase of drug addiction to dysphoric devastation. The coexistence of euphoria and dysphoria is represented, for instance by the continuous use of the split screen in the film.
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Bodies in Pain: Emotion And The Cinema Of Darren Aronofsky

Mark
Mark is on page 127 of 247
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Bodies in Pain: Emotion and the Cinema of Darren Aronofsky

Mark
Mark is on page 100 of 247
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Bodies in Pain: Emotion and the Cinema of Darren Aronofsky

Mark
Mark is on page 74 of 247
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Bodies in Pain: Emotion and the Cinema of Darren Aronofsky