Status Updates From La salvación de lo bello

美的感性学是一种近代才有的现象。只有在近代美学中，美和崇高才是割裂开来的。美被完全禁锢在其纯粹的积极性之中。

“厌恶是（丑陋）真实的一面，是利用源于肉体腐烂或精神腐败的畸形（Unform）对现象的美好形式所进行的否定。……死尸身上徒有生命的假象，使得它被厌恶到无以复加。”

在伽达默尔（Hans-Georg Gadamer）看来，否定性对艺术来说至关重要。它是艺术的伤疤，与光滑的积极性相对立。在否定中，总有什么在那儿撼动着我，挖空我的心思，让我百思不解。它在呼唤，你要改变自己的人生

In Ch 6: The Aesthetics of Injury

“But seeing in the emphatic sense, always means seeing differently, namely experiencing. It is impossible to see differently without exposing oneself to injury. Seeing requires vulnerability. Otherwise, the same keeps on repeating itself sensibility is vulnerability. Wen might also say that injury is a moment of truth in seeing.”
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