Status Updates From Concrete and Culture: A Mat...
Concrete and Culture: A Material History by
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John Perivolaris
is on page 296 of 335
'Only a fraction of the world's concrete is touched by architects, but their impact on the medium has been disproportionate to the very slight control that they have over the totality of what is built the world over.'
— Oct 13, 2013 03:38AM
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John Perivolaris
is on page 290 of 335
'Compared to the all-or-nothing attitude towards the use of concrete that was characteristic of the 1950s '60s, now it is common to find the concrete only partially exposed and occupying a more subtle and ambiguous role in the total ensemble.'
— Oct 13, 2013 03:29AM
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John Perivolaris
is on page 289 of 335
'It is much more rare than it was to see concrete being used to demonstrate technical innovation.'
— Oct 11, 2013 07:07AM
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John Perivolaris
is on page 285 of 335
Those who, like Gio Ponti', have confidently asserted that concrete is 'colorless' have merely been lazy with their eyes. That is why I choose to photograph concrete in colour.
— Oct 11, 2013 06:59AM
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John Perivolaris
is on page 283 of 335
'For many mid-twentieth century architects, the quality of architecture lay not in the thing, but in the idea.'
— Oct 11, 2013 06:51AM
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John Perivolaris
is on page 281 of 335
'The anaesthetic of concrete deserves closer attention.'
— Oct 11, 2013 06:32AM
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John Perivolaris
is on page 280 of 335
'The immediate architectural reason for the re-emergence of concrete in the early 1990s was as a reaction to post-modernism.'
— Oct 11, 2013 12:51AM
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John Perivolaris
is on page 273 of 335
'Whatever critics thought of the results, the New Photography freed photography from pictorial ism, and in this the subject matter provided by new concrete structures had been of service.'
— Oct 09, 2013 01:28PM
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John Perivolaris
is on page 271 of 335
'Concrete and human flesh, two ideal surfaces to demonstrate the medium of photography'
— Oct 09, 2013 12:15PM
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John Perivolaris
is on page 268 of 335
'Although the story of the appropriation of industrial structures by modern architecture is now well known, we should not lose sight of the fact that it was through photographs that the transaction took place: it was the images of structures, not the structures themselves, that sustained the argument.'
— Oct 09, 2013 12:04PM
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John Perivolaris
is on page 261 of 335
'In reinforced concrete's success, photography played an important, and in some people's opinion, indispensable role.'
— Oct 09, 2013 11:44AM
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John Perivolaris
is on page 243 of 335
'Of all the occupations involved in building, architects are the group for whom there is most doubt whether concrete has enhanced, or weakened, their position.'
— Oct 06, 2013 08:52AM
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John Perivolaris
is on page 225 of 335
'Frequently the province of low-status immigrant labour - Italian in the U. S., Irish or West Indian in Britain, Algerian or Portuguese in France - concrete is low down in the hierarchy of building trades.'
— Sep 30, 2013 08:04AM
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