Status Updates From White Noise
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Tom
is on page 36 of 375
Jack is preoccupied with but does not speak aloud of death. He has twice now wondered who will die first? Him or Babette? He loves her very much and they spend the night reading erotic stories from adult magazines. Relatable dialogue about pleasing to please.
— 1 hour, 51 min ago
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Tom
is on page 31 of 375
Good dialogue between Jack and Heinrich about whether it is or isn’t raining.
— 11 hours, 14 min ago
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Tom
is on page 25 of 375
That night, seconds after going to sleep, I seemed to fall through myself, a shallow heart-stopping plunge. Jarred awake, I stared into the dark, realizing I'd experienced the more or less normal muscular contraction known as the myoclonic jerk.
Is this what it's like, abrupt, peremptory? Shouldn't death, I thought, be a swan dive, graceful, white-winged and smooth, leaving the surface undisturbed?
— 11 hours, 31 min ago
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Is this what it's like, abrupt, peremptory? Shouldn't death, I thought, be a swan dive, graceful, white-winged and smooth, leaving the surface undisturbed?
Tom
is on page 21 of 375
Babette has a rule where the whole family has to watch television together one night a week. The effect is to de-glamorise the medium in the children’s eyes. (This is just normal now.) The chancellor of the college thinks Jack has to grow into an extra invented initial, J. A. K. Gladney, and become bigger and uglier in order to be taken seriously as an expert in Hitler. (Lots of stuff about weight and eating.)
— 11 hours, 47 min ago
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Tom
is on page 16 of 375
We meet Murray. He works for the American environments department. He and Jack (Gladney) go to a tourist attraction known as the most photographed barn in America.
Murray maintained a prolonged silence, occasionally scrawling some notes in a little book.
“No one sees the barn,” he said finally.
— 12 hours, 4 min ago
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Murray maintained a prolonged silence, occasionally scrawling some notes in a little book.
“No one sees the barn,” he said finally.
Cory Alexander
is on page 170 of 320
Section two was decently different from one. The tone is fascinating given the danger of the situation. Perhaps realistic. You can't always be scared. Section one helped build the couple characters to care about what they go through in section two.
— 18 hours, 45 min ago
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