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The Films of John Cassavetes: Pragmatism, Modernism, and the Movies (Cambridge Film Classics) by
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一隻機掰 •ᴥ•ʔ
is on page 17 of 336
“(In films like Casablanca or Psycho) conceptions are easier to deal with than perceptions.”
— Feb 16, 2025 09:57PM
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一隻機掰 •ᴥ•ʔ
is on page 16 of 336
“The contemplative turn out of bodily and expressive life that speaks to a deep cultural need…the turn of which for Cassavetes is a turn out of life.”
— Feb 16, 2025 09:54PM
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一隻機掰 •ᴥ•ʔ
is on page 15 of 336
“Visionary stylistics makes unmediated expressions possible…communication becomes a form of mind reading.
…
“In so far as pov shooting and editing presents experience in terms of glances and visions, it reinforces this narrative project by offering an almost purely disembodied, nonsensory, derealized model of experience.
— Feb 16, 2025 09:50PM
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…
“In so far as pov shooting and editing presents experience in terms of glances and visions, it reinforces this narrative project by offering an almost purely disembodied, nonsensory, derealized model of experience.
一隻機掰 •ᴥ•ʔ
is on page 15 of 336
“Kane ‘is’ the effects of the mise en scène, the lighting, the focal length of the lenses used(…)
— Feb 16, 2025 08:45PM
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一隻機掰 •ᴥ•ʔ
is on page 13 of 336
In Welles there are plenty of ideas abt exp and metaphors for exp, but very little actual perceptual experience. (The dining montage that alludes Kane’s doomed 1st marriage as an example.)
— Feb 16, 2025 08:29PM
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一隻機掰 •ᴥ•ʔ
is on page 13 of 336
In Welles there are plenty of ideas abt exp and metaphors for exp, but very little actual perceptual experience. (The dining montage that alludes Kane’s doomed 1st marriage as an example.)
— Feb 16, 2025 08:29PM
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Jacob Mellor
is on page 151 of 336
Skipped to certain chapter tbh but quite interesting read
— Dec 01, 2023 03:49PM
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