Status Updates From Betty & Veronica

Yeah, no. Stupid plot twist does not save incredibly stupid story.

“Ronnies’ dad: That’s my girl.
V: you have no idea how much I’m capable of, daddy.
R.D.: That’s my good girl.”


W.T.F. Seriously, they wasted such good art on this trash-heap of a script?!

“I’m here to give you a way out, because there’s a tiny subatomic part of me that still gives half a crap about you, God knows why.”

Seriously, the writers remember they still haven’t given Veronica any motive or cause for starting this fight, right? As far as readers know, she just woke up and went “I think I’ll dump my best friend today”.

Seriously, still no motive for Ronnie, and a boozy snow cone stand as a way to one-up Bettys’ cocoa stand? Makes no sense (in fall), and it’s just… out of nowhere.

This comic makes no sense. I think like even the comic said earlier - the whole story’s just an excuse to have the characters fight - why bother with a functioning plot, I guess.

?? Why is Ronnie so on board with this all of a sudden? Last chapter she didn’t even now, and wanted her dad to buy the company to torture the driver that almost ran them over.

Now she’s acting like the companies earnings are going entirely to fund her clothing budget??

Someone on the writing staff is giving off a slightly sleazy vibe. First the intro describes Betty & Veronica as sexy, then refers to them as teenagers in the same little article.
Now, in a scene the comic even refers to a gratuitous, they have Betty & Veronica describing 2 ‘missing pages’, supposedly eaten by Hot Dog (Jugheads’ dog) as an excuse to draw them in bikinis.

Pulchritudinous - physically attractive or beautiful.

Atavistic - relating to or characterized by reversion to something ancient or ancestral.