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All through the 19th century, however, artists and writers had proposed that the true aim of painting should not be to tell a story or to imitate a natural appearance, but to express a state of feeling, an idea, a fancy, or, aspiring to the condition of music, to create a harmony of colors and forms.

All through the 19th century, however, artists and writers had proposed that the true aim of painting should not be to tell a story or to imitate a natural appearance, but to express a state of feeling, an idea, a fancy, or, aspiring to the condition of music, to create a harmony of colors and forms.

All through the 19th century, however, artists and writers had proposed that the true aim of painting should not be to tell a story or to imitate a natural appearance, but to express a state of feeling, an idea, a fancy, or, aspiring to the condition of music, to create a harmony of colors and forms.

All through the 19th century, however, artists and writers had proposed that the true aim of painting should not be to tell a story or to imitate a natural appearance, but to express a state of feeling, an idea, a fancy, or, aspiring to the condition of music, to create a harmony of colors and forms.

All through the 19th century, however, artists and writers had proposed that the true aim of painting should not be to tell a story or to imitate a natural appearance, but to express a state of feeling, an idea, a fancy, or, aspiring to the condition of music, to create a harmony of colors and forms.

All through the 19th century, however, artists and writers had proposed that the true aim of painting should not be to tell a story or to imitate a natural appearance, but to express a state of feeling, an idea, a fancy, or, aspiring to the condition of music, to create a harmony of colors and forms.