Status Updates From Art and Objects

one eternity later..

“To proceed to the extremities of one’s art and, even further, of one’s being: such is the law of any man who regards himself to any degree as [your funny guess here]"

...“the artwork does not occupy a single position in space and time; rather, it is a palimpsest of gestures, presentations, and positions . . . In short: it turned art into discourse . . . Had anyone previously done such work with copies and editions within the realm of high art?”

Черепок дискурсу для археологів, що нудьгують: “Where one searches for the hidden beneath the apparent, a position of mastery is established”

"[Kant] exposes himself to the critical force of Morton’s observation that large finite numbers are actually more threatening than infinite ones. As Morton puts it: “There is a real sense in which it is far easier to conceive of ‘forever’ than very large finitude. Forever makes you feel important. One hundred thousand years makes you wonder whether you can imagine one hundred thousand anything.“" fr

"[Kant] exposes himself to the critical force of Morton’s observation that large finite numbers are actually more threatening than infinite ones. As Morton puts it: “There is a real sense in which it is far easier to conceive of ‘forever’ than very large finitude. Forever makes you feel important. One hundred thousand years makes you wonder whether you can imagine one hundred thousand anything.“"

"[Kant] exposes himself to the critical force of Morton’s observation that large finite numbers are actually more threatening than infinite ones. As Morton puts it: ". fr