Status Updates From The Ceremonies

Thoughts on Book 2: Slow pacing so it doesn’t feel that we’re too much further on from Book 1. But I shouldn’t complain - at least Klein is taking his time with the story, in a world where everything is rushed or boiled down to essentials. The only character I actually like is Sarr. Jeremy seems a little smug and patronising and Carol is just weak.

Very much a book of the 80s in prose style. The cadence is of its time as are the narrative voices - Stephen King has a lot to answer for. The depiction of women is also of its time. But I enjoyed the insects besieging Jeremy. And the moment the mask slips on the Old One with the child. I made myself picture that and it chilled me.

… He comes across as a servant to a higher power rather than an ancient evil. Similarly, the character’s voice is unconvincing - the very proper tones are pantomime villain so the threat to Florence (is that her name?) feels minimal.

Just some notes on the ending of Book 1. The Old One is a very prosaic character. I’m not sure he works. He seems very limited in power - I would have preferred something more Lovecraftian, beyond our understanding. Maybe it would have worked better if this ancient power had been able to manipulate others to his will, in a Dracula / Renfield type scenario?…

Much weirdness. Mum has a portent, Sarr sees a sacrifice and Jeremy is followed by a troll. Interesting.

Things falling into place. The cripple.

Enjoyed the planting ceremony. But this does need editing. There’s a lot of extraneous description of characters thoughts and backstories that I’m not convinced are that important.

Bit more cliche. The death of poor Donna somewhat ridiculous. The ‘Old One’s’ machinations lack gravitas. But still, it’s fun…

Wicker Man and Arthur Machen references here. Carol and Jeremy meet, at the old man’s design.

Carol - more slightly ponderous back story. Could have used some editing this. But some hints of a Rosemary’s Baby style intrigue…

Deeper into the culture and characters. Like the balance of the third person omniscient narrative - old style. Deborah is a cliche but enticing enough.

Slow, slightly ponderous prose. American - 80s but I like the rural religious setting and the connections with paganism.

Slower than molasses in January...