Status Updates From Yapraklar Evi
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Alex Weller
is on page 37 of 736
While it looks like Navidson might have little regard for Karen due to his sarcasm about her hair and intrusion of her personal belongings, the way the scene is arranged shows the opposite, with Navidson actually preserving her hair on film. Sure thing.
— 2 hours, 38 min ago
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Alex Weller
is on page 37 of 736
Here we have the first significant scene: Navidson arrives in his and Karen's bedroom, only to impulsively look inside her jewelry box, though we don't see its contents. He then becomes intrigued by hair caught in Karen's hairbrush before Karen comes back in.
— 2 hours, 49 min ago
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Al
is on page 630 of 709
"IT WAS LOVE JUST THE SAME" GIRL 😭 I CAN'T SOMEONE TAKE ME OUT BACK AND SHOOT ME I CAN'T DEAL WITH THIS
— 3 hours, 31 min ago
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Alex Weller
is on page 36 of 736
A chunk of Navidson's project was captured by CCTV video cameras hung up in every corner of the room. Navidson hoped to catch notable moments in his family's life to put on film. However, two specific scenes, which it appears might be pivotal to the film, were captured with these cameras. I wonder what they were.
— 3 hours, 32 min ago
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Al
is on page 629 of 709
"You were probably grateful"... Yeah I'm just gonna... Yeah. It's been nice see y'all I'm OUT 👋
— 3 hours, 33 min ago
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Alex Weller
is on page 36 of 736
Navidson's original goals for making the movie were to showcase his family moving into their new house and getting used to it, while also healing the strained relationship between Navidson and his family due to his constant travels for work. While Navidson's daughter Daisy likes the house, his son Chad, used to the noise of city traffic at night, can't sleep because he's afraid of people hiding in the silence.
— 4 hours, 19 min ago
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