Status Updates From Bob Dylan's Poetics: How th...
Bob Dylan's Poetics: How the Songs Work by
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Kaitlin
is on page 229 of 288
"When he yowls, it is because he wants to yowl, and he is yowling for a reason."
— Dec 31, 2024 10:19AM
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Kaitlin
is on page 225 of 288
"Dylan's songs derive their extraordinary vitality from the interplay of different registers and forms of utterance. . . . This means that listening deeply to Dylan is much less a matter of tracing Dylan's 'influences' or unearthing 'sources' than remaining open to the interplay of forms, conventions, and expressions within each song--and, in some cases, between songs."
— Dec 31, 2024 10:11AM
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Kaitlin
is on page 220 of 288
"The entire point of Dylan's song, however, is that in the world of globalized capital, /everyone/ is an exile. Even if you are at home, you are not at home."
— Dec 31, 2024 10:01AM
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Kaitlin
is on page 190 of 288
"The paradoxes of personal or religious transformation offer a window into the consequences for selfhood and identity of a moment at which the middle-class fantasies of personal liberation (underwritten by economic expansion) that had fostered Dylan's rise to stardom were beginning to pale."
— Dec 27, 2024 07:51AM
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Kaitlin
is on page 186 of 288
"The problem for popular art then became linking the intimate world of the self and its desires to the larger world of capitalist market expansion."
— Dec 27, 2024 12:49AM
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Kaitlin
is on page 179 of 288
"[T]he language one uses to free oneself is inevitably a metaphorical language. . . . [T]he point of the song is that one cannot escape metaphors and similes. They are what give meaning to experience."
— Dec 27, 2024 12:36AM
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