Status Updates From Introdução A Uma Verdadeira...

Bro is so passionate ab nouvelle vague it makes me feel like a poser

- In nothingness you can show everything.
- Every film begins with and ending, something is about to end (quite true)
- "I'm tired of feeling unique" (Unfortunately, this is the true history of Cinema and Television)
- The Myths of the Close-Up, stardom. People care more about power than what is being said, or more care only about the power when they're identified.

- Solipsistic notions of telling a story. Finding freedom in communication through images.
- Corruption and respect.
- The main differences between Cinema and Television, mediums that reached (in the 80s) different audiences, or maybe a way to reach the same audience regardless of their knowledge. The possibilities of having a real talk in 6 hours compared to constraints of one hour stories.

- Cinema lost something with the invention of sound. They removed the title cards for dialog, the expression and the punctuation of moments changed. Something was invented to cover the hole in the whole of Cinema.
- When you watch films or television, you don't see the world, you see it inside of yourself. (Of course!)

(personal thought about Chapter 1.2)
The power of television must be neglected with distractions. In here lies the power to ilude and persuade the distracted.
A form of fascism that is passive-aggressive and is well accepted by everyone, mainly because they are having pleasure - Not that much difference from the Internet and Media in general nowadays

Chapter One - "Do what you can not what you want"(sic)
Obligation is a style and rhythm.

Chapter Two - I'm a fascist that is anti-fascist.

I missed you stubborn madman. I missed the hell out of you.