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David
is on page 32 of 208
Me sentía un poco abrumado por su forma de narrar la historia, ese mixture de eventos, de situaciones, de personajes, de nombres, de lugares, todos pasando al mismo tiempo, tiempo que en realidad era un instante, pero a le vez tan profundo el sentido en que los narra, como si estuviese yo compartiendo sus pensamientos en tiempo real, una fusión. Amo las notas a pie de página con ese detalle necesario de la época.
— 1 hour, 1 min ago
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Paddy Osborne
is on page 162 of 195
I’m not sure if I’m just tired and miserable, but again; the poetic language Woolf uses eventually wears out, feeling rather incessant at times.
Despite this, it does make for very vibrant visual imagery, making London feel like a character as opposed to a backdrop.
A very progressive novel for its time, also. Does not at all reflect the period in which it was written, at least through its social lens.
— 1 hour, 55 min ago
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Despite this, it does make for very vibrant visual imagery, making London feel like a character as opposed to a backdrop.
A very progressive novel for its time, also. Does not at all reflect the period in which it was written, at least through its social lens.


































