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I sometimes think that writing is like driving sheep down a road. If there is any gate open to the left or the right the reader will most certainly go into it.

If only one had time to read a little more: we either get shallow & broad or narrow and deep.

The very essence of our life as conscious beings, all day and every day, consists of something which cannot be communicated except by hints, similes, metaphors, and the use of those emotions (themselves not very important) which are pointers to it.

The first demand any work of any art makes upon us is surrender. Look. Listen. Receive. Get yourself out of the way. (There is no good asking first whether the work before you deserves such a surrender, for until you have surrendered you cannot possibly find out.)

I don’t believe anything will keep the right reader & the right book apart. But our literary loves are as diverse as our human! You couldn’t make me like Henry James or dislike Jane Austen whatever you did.

The truly wide taste in reading is that which enables a man to find something for his needs on the sixpenny tray outside any secondhand bookshop. The truly wide taste in humanity will similarly find something to appreciate in the cross-section of humanity whom one has to meet every day.

No man who values originality will ever be original. But try to tell the truth as you see it, try to do any bit of work as well as it can be done for the work’s sake, and what men call originality will come unsought.

The books or the music in which we thought the beauty was located will betray us if we trust to them; it was not in them, it only came through them, and what came through them was longing.

And Man as a whole, Man pitted against the universe, have we seen him at all till we see that he is like a hero in a fairy tale?

But the text itself teaches us that Sauron is eternal; the war of the Ring is only one of a thousand wars against him. Every time we shall be wise to fear his ultimate victory, after which there will be ‘no more songs’

What shows that we are reading myth, not allegory, is that there are no pointers to a specifically theological, or political, or psychological application. A myth points, for each reader, to the realm he lives in most. It is a master key; use it on what door you like.

VERBICIDE, THE MURDER OF A WORD, HAPPENS IN many ways. Inflation is one of the commonest

Funny that the only thing I struggled with was his discussion of Phantastes. Didn't like that book

Since it is so likely that they will meet cruel enemies, let them at least have heard of brave knights and heroic courage. Otherwise you are making their destiny not brighter but darker.

It would be much truer to say that fairy land arouses a longing for he knows not what. It stirs and troubles him (to his life-long enrichment) with the dim sense of something beyond his reach and, far from dulling or emptying the actual world, gives it a new dimension of depth

The true aim of literary studies is to lift the student out of his provincialism by making him ‘the spectator’, if not of all, yet of much, ‘time and existence’.

Those of us who are blamed when old for reading childish books were blamed when children for reading books too old for us. No reader worth his salt trots along in obedience to a time-table.

Of course as all children’s literature is not fantastic, so all fantastic books need not be children’s books. It is still possible, even in an age so ferociously anti-romantic as our own, to write fantastic stories for adults.

When I became a man I put away childish things, including the fear of childishness and the desire to be very grown up.